Tag Archives: death

The Accusation That Wakes You Before Dawn

Animals
struck by cars
come back to life
once you’ve passed their corpses.
One in seven million of them
is given the power of speech.

The accusation
that wakes you before dawn
comes from one of them. 
In the voice is a paw ticking off every time
you heard a thump below your wheels
and drove on with a shrug.

Under the heavy-armed trees
outside your window
is an army of the flattened,
the torn, the spilled and bloody.
You stand inside, half naked,
reliving moments
of rejection,
ignorance, and neglect
you’ve experienced.

The fur that suddenly emerges
from your chest and back
is sodden with blackened blood
and the tiny cells of brain and lung.

In the car that’s rushing toward you
are your father, your mother,
every easily forgotten lover,
every friend you don’t call anymore,
every colleague you’ve blindsided,
every server you’ve stiffed,
every aimless stab in every back
and every turn of the wheel
that took you over a body in the road.

Headlights ahead,
then it happens.
You in the blanket of silence.
You waiting for
a one in seven million chance
to give back.

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Death By Metaphor

This morning
it feels like my heart is knocking against my ribcage.

I mean that
in all sincerity. 
Heart,
in this case,
is muscle and not metaphor. 
Ribcage is
a common descriptive term for the arrangement
of the ribs. 
Morning is when this is happening and also carries
no figurative weight.
I mean to say just what I say:

it’s morning, and it feels like
my heart is knocking against my ribcage.

Note that I did not say, “trying to break free”
from my ribcage.  That would be stupid to say
as the heart has no will of its own. 
It doesn’t know freedom and it’s not
going to leap from my body
leaving splinters of bone
and a huge hole behind it. 
That would invite metaphor again
and I’m trying to avoid it,
my breathing’s too shallow
to use so much oxygen on creative thought
right now.

Did I mention my breathing was shallow?
Don’t assume I meant something else. There’s
nothing hidden in that; my breathing
is shallow, meaning I’m taking
smaller breaths than usual, higher in my chest,
more quickly. I could add that they do not
expand the ribcage as much as normal breaths.
You should get the picture,
though I’m not trying to paint one:
just the facts here.  I’m wincing
with the effort of staying in the moment
with the pain in my shoulder. 

Oh, the pain?  Yes, I’m in pain.
And for a full description of that,
I’m going to have to dip a bit into
comparison.  Forgive me.  It’s what
we all do; I don’t know how else to say it.
It’s like something’s cutting me at intervals.
Sharp pain.  We call it that because it explains it
to another.  We’ve all felt it.  Right now,
it feels like my left shoulder’s being slashed
from clavicle to pit, and then a rod’s inserted in the wound
and shoved down my left arm from the inside.
That’s accurate as a description even if it’s not a fact.
No wonder my breathing’s so shallow.
No wonder my heart feels like it’s knocking on my ribcage.

I would feel safe
in having you assume that these are the signs
of a heart attack, which itself is a metaphor
used to describe a myocardial infarction
or some other cardiac event.  Heart attack
is a bad description, as if the heart
were capable of hostilities.  It’s not attacking me.
It’s doing what it is supposed to do in response
to my not taking care of it properly.  Fatty foods,
no exercise, pack a day habit.
 No metaphors there, just facts, though
I suck at self care
contains a metaphor that I think works,
even if the sentence makes no objective sense:
self care is no nipple, after all.

This morning, then,
let’s just say that it feels like my heart
is knocking against my ribcage.
Let’s say, further, that my dumb heart
and my ribcage
and my arm are in some kind of distress and as a result
I am too. 

I don’t know what I means as distinct
from the awareness of the body.
If I did, would I be writing this
instead of calling the ambulance?
But if the heart dies I’m sure I’ll find out.
No metaphor in that, either.  I suspect
there will be a moment when I will understand
the meaning of I if keep writing instead of calling.
I won’t come back to tell you about it, though.
You will have to draw conclusions
from the poem and the pain and the heart
and the dying.  You will say
the stupid bastard died writing a poem while his heart was failing
and you’ll be correct.
I’m sure someone will make it into a metaphor,
though in fact it isn’t.

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Speak

“This is a beautiful place,”
said Wally, our resident alien,
the poet of Wild West and train robberies,
who left his son’s wake early
to come to our poetry reading.

We sat there speechless
for more than a beat,
then began scrambling in our bags
for whatever poems we had
that might bridge such strangeness.

Wally never missed a night.
Tonight he was late and glassy eyed
and sat there, saying,
“I just want to listen.”
 And again,

“This is a beautiful place.”
An art gallery in a community building.
A circle of steel chairs.
Daffodils on the walls.
Stained carpet underfoot.

We called the reading “Speak”
and we did, twice a month, no standing,
no stage, a round robin of poets
going three rounds on a theme
all of us had suddenly forgotten.

“This is a beautiful place.”  We learned
that his son had hanged himself.
Wally was glassy eyed and listening.
We forgot the theme.  We scrambled.
We sat there.  We tried to bridge the strangeness.

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A Scholar Of The Classics

Eros is an armed toddler,
only welcome when he comes as metaphor.
If he showed up on your street
you’d call the cops, or Children’s Services,
and you’d huddle behind the bed
while they took him in and stay there
until it was safe to walk upright
in your own home again.

The same goes
for Hermes or Poseidon: naked hunk
with winged heels and a helmet or a bearded guy
with a trident, fer Chrissakes.  Who these days
would cheer their presence on the street?

Not one of us would heed a myth
if it showed on the hoof in a preferred form.
Maybe that’s always been true.
You hear about Zeus coming down
to make time as a bull or a swan,
visiting his victims in borrowed identities;
this is that whole “mysterious ways” thing,
isn’t it?  We can’t be comfortable with
the full face of the divine.
We can apparently only take note of the gods
when they sneak up on us.

So who killed you, beloved?
Which one did this?
Who was it
who tore me up and left me here on the floor
curled up in fear in front of the news?
Who was that lurking
behind the answering machine message that stopped
my heart for good this morning?
Which of those insane, incestuous, venal little avatars
took you in a public place, slit you like an envelope
and stole the precious news of you from me
before I ever read it through and understood it?

I get you, Olympus.  Get you good.
Don’t even bother trying
to get right with me.  No mask
or artifice is going to work.
If whoever it was thinks
I will ever sacrifice to them again,
they’re crazy.
If you think
I’ll ever trust another stranger
not to be a bastard god in disguise again,
they’re crazy.

You killed her.
No mortal would have had the heart to do it.

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Moving On

You are certainly
laughing at us all now
for our struggles
as we try to balance
stopping our lives to mourn you
and trying to get on with our lives.

I picture you
bent double, howling tenderly at us all,
saying to yourself:

Did you hear anything I said?
You don’t stop, not even to mourn.
We’re all together at a movable feast
and you should move with it,
carrying your grief with you
at the speed of blood rushing
through your ever-faithful hearts.

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First Person Shooter

Living in the time of decline
is a game of inches, like
football: grinding effort,
slogging through.  Imagining with every play
the single piercing moment
of the certainty
of defeat or triumph, staving it off
a while.  But there’s a known deadline there
and none here.

Thick as the line in a thermometer
in a Massachusetts window
on January 13 comes a message:
sun’s going down, wind’s picking up.
It’ll get colder.

In the mornings
I have lately risen to this:
first person shooter vision,
blued barrel
facing away from me, the cylinder
open, see how my fingers
seat the rounds, steady thumb and forefinger
plucking them from the box.  Two or three
still to be loaded.  I shake off the image,
but then what? 

Asked for a pen
and got a revolver. A laurel wreath
replaced by a gin blossom
on a thin cheek. Grubs
under glass, fossilized oysters.
The forbidden and frightening sound
of one sure shot
at peace, but not on my watch
if I can help it, not in my house
if I have something to say about it.

Still, such moments in winter
have their place, and I surmise
that I am that place.  Sun goes down
and comes up, it gets colder
and warmer, wind picks up
and dies down, and there is a voice
out there, not only in here.

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Hermit In The North Woods

Carrying the week’s groceries
over the footbridge,
I imagine the wind’s whine
is the creak of bolts
coming loose.  Up here

there are no city lights
to obscure the stars.
If I fall through the ice below,
at least it’ll be a pretty ride.
When I came here, twenty years gone

now, it was for moments like this
when all of life seems
one tight coil of trivia and import.
I could pass from this life
and become a local footnote with no regrets.

A starlet died over the weekend
and all I know of her death is allegations
and rumors. Such a lot of fuss
for a stark fact: someone dies
and we’re forever uninformed as to why

such things happen.  If I fall through
to the ice below, no one will talk of me
that way, and I’m grateful for that.
There’s no answer to why, and no such thing as
“too soon” — not for the deceased.  We go

when we go, at times we believe we choose
or at inconvenient times, and I suspect
that whatever happens to us afterward,
it’s not anything we conceived beforehand.
So why we seek to explain such things,

I do not know or seek to know.  What I do know
is this: here in the cold north, on a narrow bridge
between the road’s end and my small home,
I walk under a stellar shield that protects me
from the awful truth that life will end for all of us,

and when we go we will be remarked on
and mourned even as we are beyond such things.
We will wonder at that because we have no choice
but to do so, but to wonder without noticing
the world we live in and our own impermanence

is to lose the thread of who we are now.
I will listen to that wind and trust my footing
against the possibility of it being my last walk
because the stars are perfect here, and I am here,
and that actress is somewhere else, and what will be is certain.

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Grenade’s Night Out

Before last call
you convince yourself
that they are paying attention to you
by telling yourself
they could tell with one glance
that you are a live grenade.
This must be a heroic act. 
They must sense how dangerous
you are to yourself and others,
can see your obvious potential
for causing widespread distress
so they’re all over you.

If this is happening,
that is.  It may not be.
And soon you admit that It isn’t. 
So you go home alone
because it’s getting brighter outside.

Ho hum, nothing new,
you awaken still a little drunk
after only two hours of sleep. 

On the couch again
with the laptop
and another final poem you can’t get right,
flying by the seat of your briefs,
no coffee in you yet.
You haven’t raised the shades in weeks.
It tells the world no one’s here.

So what?
You’re sprung,
been flung,
the pin’s already been pulled. 
When you eventually explode in a forest,
a bar or an apartment,
if no one’s there to hear it,
it won’t make a sound.  So
why not have a little fun
before that happens and convince yourself
there’s a chance
you’ll be regretted?

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It’s A Shame

It’s a shame when anyone dies.  — from an Internet forum post

You say it’s a shame when anyone dies
though it’s one of the few things
you can count on everyone doing
so I guess you’re saying
we’re all supposed to be ashamed
of people being human
and exiting this state of grace
called living

Some get to it faster than others
through no effort of their own
I suppose that’s a shame
in some way
though I suspect we’re upset
at them leaving us behind
to await our own ends

I never saw it this way
Think it’s a shame to cause another’s death
Think that some shame adheres to the killer
Even if it’s justified in self-defense
It’s still a shame that it had to happen
that someone will have to walk around knowing
they were responsible for it
even if there was no alternative

But when an old person dies of the body’s decay
that’s just what is supposed to happen
A young person dies from an illness or accident
and that’s supposed to happen
An infant dies in sleep without warning
and that’s supposed to happen
so I don’t know what the shame is
in dying at the appointed time
We don’t get to pick those appointed times
We don’t get to choose who lives or dies
just to keep ourselves whole and happy
It’s not an option not to die
no matter how good or worthy you are
of the honor of living
no matter how much good you did
or what you created for the astonishment of the living
you will go as we all will go

And when it comes to the suicides
who long to bring the inevitable forward
speed things up with the sudden jolt of the rope
or the trigger
or do it more gradually with a smoke or a drink
a needle or a truckload of burgers
you can’t say much to dissuade them at the end
They’re hurtling and hurting
telling themselves minute by minute
“let’s just get this over with”
and there may be pain left behind them
but no shame in losing that urge to self-preserve
so anger at their choices isn’t worthy
of those who choose to hold themselves here
as long as possible

What is a shame
but a regret intensified
to the point of obsession
If there’s one regret worth obsessing over
it’s not that death itself occurs
It’s that death can’t be traded
among the living according to their desire for it

I know people who are closing in on that end
who fight to hang in for the last nailhold of life
and others who would go now if something didn’t hold them back
by their own nails
and it’s not a love of life that keeps them here
but a fear that they’ll be shamed in the early departure
that they’ll crush the left behind with sadness

If I had my way
we could take the shame from their brows
give their extraneous life to the ones
who long for more
It’s a shame we can’t do that
call out

“living, here’s one worthy of you
keep this one
and let this other one go
without any sense of regret”

the balance would be thus maintained

The only shame I see in this
is that you could call me
tomorrow
and I’ll likely still be here
when the phone will ring a long time
at the home of someone
who desperately wanted to answer

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Letter To A Young Person

Dear young person:

Well, you’re dead,
and I’m sorry
we never got a chance to talk,
though you probably
wouldn’t have cared
to speak to me, and I’m sorry
about that too. 

People seem to love you,
still,
even though you’re dead. 
Did they tell you that when you were alive?
They all say they didn’t,
or they didn’t say it enough.
I’m sorry for that,
sorrier still
if you didn’t hear it enough
and can’t hear it now. 
I suspect you can’t.

But if I think you can’t hear it,
I ask myself,
why then am I writing to you? 
Perhaps
because you’re easier to speak to
now that you’re dead. 

Perhaps because
I’ve been there:
alone and listening in vain
for the voices that say,
“I love you…” in life,

certain I will miss them in death.

I wish there were more to say
but I can’t be sure you can hear me
and I’m tired of listening to myself
attempting to convince myself

that this has a point:

so enough for now.

But if you can hear me,
if you’re hearing
“I love you” as much as you need
now that you’re

there
where we don’t know what is needed,

I wish you’d let me know.

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Truth Beauty

Beauty is Truth, truth beauty, — that is all
Ye know on earth, and all ye need to know.  — Keats

They’ve long since repaired the hole
in the storm door across the street
that was left when the big man
tossed the stone at his screaming wife standing on the porch.

It left a star shaped hole
that reminded me of the holes
we used to stomp into iced over puddles
in the parking lot of the neighborhood market.

Once, I saw Eddie Hope try to skate on one of the big ones
and his skate caught on one of those holes.
He bled all over the ice
and we laughed and laughed while he cussed us out

in eight year old terms with a handful of words he’d learned
from his big brother.  Both Eddie and his brother were dead
within years of that — Tommy from heroin,
Eddie from being dragged down the street

by a car that never stopped.  I think about them both a lot
even now as I see the house across the street,
the white fragile ice on the street,
hear the sound of brakes on the street —

the street that goes both ways.

Here’s what I know on this earth:  I love me some stars, love me
the sound of ice breaking,
see a little truth in the way things break.
Any stain is beautiful and honest

both at once.  A kid dies and an old man somewhere can’t forget
how he kept driving one night a long ago, following his usual path home
to his own kids and how he hugged them hard that night.
They still recall the hug.

Over at the house across the street
the couple who tried to kill each other
in June are apparently happy for now.
It’s getting cold as we get deep into November.

They paved our street this summer
and it’s clean as a slate, all downhill, no place
for a puddle to form,
but I’ll lay odds we’ll be prone to black ice.

Beauty is truth, truth beauty.
Someone’s gonna crash,
something’s gonna break,
someone’s gonna rise up.

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Ladybugs

Coincidence
or not, it’s a fact
that seven ladybugs
lit on my window
as I spoke tonight
of seven friends
who have passed on.

I let them crawl
around a while
before shooing them out
into potential doom
in the hard frost
that’s predicted for tonight.

It doesn’t matter
what signs you’ve been sent
or how many laws you follow
as you pursue the meaning
of this life;

you have to put the messengers
out into the cold
and get on with living
as if grief
were something
you can keep at a safe
and practical distance.

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Newport Beach, California

In the embrace
of the best Scotch
I’ve ever had
in the Four Seasons Hotel
in Newport Beach, California;

a perfect measure drawn neat
into a brandy snifter.
One hundred seventy five dollars a glass,
purchased on a rich man’s dime.

I catch the crawl
on the muted lounge TV
telling me that Kurt Cobain
has died.

“What the hell did he have
to be depressed about?”
says one of my companions,
and I take a swig, not a sip,
and mumble,

“You wouldn’t understand…”

I notice the rich man
turning his eyes down,
looking into the gold
rapidly disappearing
from his own glass.

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Mary Celeste

Blistered and marooned
by the heat of my divided spirit,
stalled on a spit far from solid land,
I’ve become the wreck I’ve always expected.

But if I founder here, after all this time
wondering when it would happen and what moment
would put me over the edge at last,
it will not be without a gentle, bitter laugh

at how quietly I’ve ended up here now:
no huge explosion of pain, no rejection
of my being, no shattering revelation
of my own tiny nature.  No:

I end here thinking of nothing but fatigue,
the heavy silence in my hold, beams apparently solid
but straining to hold themselves to one another
ad ready to give out.  I have become

a Mary Celeste of a man, all the contents
intact, only the driving force absent, and when I’m found
they’ll see the mystery of me:
no one aboard and the ship still ready,

its sails vacant in the still, hot air;
a line trailing behind, attached to nothing;
cries of seabirds falling flat, the beams answering
as they grind themselves apart on this sliver of sand.

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After The Conversation

I went to the riverbank
and tossed a cigarette
onto the pool at the base of the dam.

In the dusk, it arced,
red star smooth, then winked out.
I think I heard a fish strike on it.

I don’t like to think about
what happened to that fish.
Fire, poison,

cold water, a body slipping along
until it lodged in the rocks. 
I refuse to imagine it.

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