Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Insecure Love Poem

I am in need of craft and care
most days, sadly enough;
I thank God she’s beside me.

If I wake up roughclad in bark
she whittles me clean, shapes me
into something useful.

If morning is a minefield,
she tosses stones across it
to blast a path for us.

If the day threatens hate or gloom
she’s the Armorer Against, 
the Illuminator.

What I would not give to be
the man who will not flinch!
But I do, and she does not.

What she gains from me,
I cannot say. I do my best
to be present for her; maybe

that’s enough?  I ask, but
she laughs it off. I wobble along
fearing that maybe

we’ve gotten this far
on something I don’t even know
is happening and that I will 

trip and break it apart
without realizing what I’ve done.
I’m clumsy that way

but she seems to know that —
so we go, and sometimes we go slowly,
but still, we do go on.


From The Front

Fresh from
the outdoors,
from the battlefield,
he came. He looked
nervy, currents on his bare arms
and sparks in his mouth.
He must have had a lot of nerve
to dare to come in
here.  It was our home and we
scare easy. He must have known that.
He must have been cold and
not cared.

We watched him sit in the back
of the cruiser.  The cops said
that during cold snaps, on the nights
when sleeping outside is a suicide mission,
they get at least a call a night like ours
of someone breaking into somewhere warmer
to sleep.

“At least he’ll be warm in jail,”
I told the family.  Everyone
tells their family that.
We tell ourselves
that and whatever else works

when the truth is
that seeing his cable arms
and their electrical sketchy twitch skin,
his gun-blue cheeks and his jaw set hard,
reminds us of how close to us
the war rages, and we
shame ourselves but have to admit
we don’t care as much for him
as we do for how close he got to us,
and wish
that however cold he was,
he’d just kept it to himself.


Honesty Is Only One Of A Number Of Policies

They say
you are talented
and I believe them
That you work hard
I believe them
That you are acclaimed
and I believe them
That you are becoming known
I believe them

How could I not
as I trust them
and know them to be
fine judges of such things

I just don’t find myself
liking
any of what your talent
and hard work
have produced so far
and am thus unconcerned
with your acclaim
and fame

I don’t think it’s me
and I don’t think it’s you
It’s just two
not meshing

and that happens
more than now and then
so

stop calling me out
stop arguing
and
stop trying so hard
to convince me

I have carried
no ill will
toward you
till now
Let us keep it that way

Be well
with yourself and
forget me
and my opinion
if we do not suit you


Uncle’s Trumpet

sharp toothed cold
biting into your lungs
when you step outside
on the way to the funeral
of your last remaining uncle

who you hadn’t seen in years
who once gave you a trumpet
you did not ever play
not even once

whatever happened to it
is it at the bottom of some closet
some river
some trash heap
did you sell it
in a moment of need or frustration
over how much space it took
in a corner of your room
after having trucked it around with you
for a long time swearing
one day you’d learn to play

you know he always liked you
you suspect you were a favorite
you used to shovel his walk
after winter storms
the hair freezing in your nose
sometimes so cold it hurt to breathe
he always had hot chocolate after
played glenn miller while you drank
and fidgeted

where is the trumpet now
that your uncle used to play 
where is the shovel now
you used to use for him
where did your uncle used to play
was he any good
what bands was he in
or did he just play solos in his basement
when no one was there to hear
who was your uncle
who’s going to be your uncle now
or ever again
in this sharp tooth everyday cold
that never seems to lift


Ganesha

I broke the chain
which held my medal of 
my patron, Ganesha,
lord of learning, letters, 
success, of taking it all in —
I broke that chain.  

Now I’m lying here, turning blue;
I have worked hard to earn that hue.
I’ve become a fat
gap-toothed man like him.
I don’t need to carry myself
everywhere, and no one
would mistake me for him
but still, I took heed of concerns
for over-identifying with him,
and broke that chain.

When they find me, when they
rescue me, surrounded by books
and past due notices,
the last thing they’ll think of
as they trundle me off for repair
is Ganesha.  I’ve broken that chain

and if at the hospital they ask me
what spiritual path I follow, I will tell them
nothing at all.  If they can’t tell it by looking
at me (gap toothed, blue skinned, long nosed,
fat necked and full of useless books)
then it’s nothing they should know.  I broke that chain
anyway, like an elephant gone rogue.
They ought to do me like that,
and shoot me.


Hokum

Hokum 
they called it

lowdown pun-funny blues
about
putting fruit in her basket
or
grinding his meat
or
how much she longs for 
a little sugar in her bowl

Tampa Red said
it’s tight like that
and Ma Rainey agreed
and just this side of all that
even Robert Johnson
had hot tamales (they’re red hot)
for sale

and people smiled
and some no doubt got laid
though no doubt
few got paid
Got to trust the hokum
to pick you up
on a Saturday night

Way back then
a couple of White boys
called the Allen Brothers
liked what they heard
laid down a few songs like that
They did a fine job
So fine a job
their songs were released
in their label’s 
“race records” series
by mistake

They sued
for damage to their reputation
and left their label

I read a scholarly article
on hokum once
that said the best of the genre’s lyrics
compared favorably to Chaucer

Some comparisons
evidently
are more favorable than others


The Dinner Party, The Marsh Hawk

While dining with assorted friends
and near friends
at a private dinner party,
Professor Alternate Jones,
“Al” for short,
announces to those of us
by nature or profession inclined
to listen to such things
that “upon reflection
on the things of this world,
the only right, righteous thing to do
is for me to spit, hard and often;
the taste otherwise is too rich
and I am so easily overwhelmed.”

Several at the table laughed
and offered similar cavalier thoughts,

but I stood up and sought and found
the view over the salt marsh, looked out
at a marsh hawk hovering, so still
over the tips of the yellow
shore grasses; saw it

taking everything in,
waiting for prey, waiting for
a sign of weakness, a flash
of motion arrested just long enough
for it to drop and rise
fulfilled, with a victory
in its talons.

I turned from the window
back to my friends and near friends,
back to the learned professor still talking,
my mouth drying up as I did so,
feeling the sharps so strongly
I had nothing to say.


A Painting

The Hammond organ:
wet wide brush,
thick colors. Warm
tones.

Fender P-Bass:
smacks down dark hues,
richer, deeper, rounder
shapes.

Telecaster:
pointillist stinger
chattering spatter
patterns everywhere.

Ludwig kit with
an old Gretsch snare:
possibly, under the paint,
an ancient figure rising?

Let the baritone sax
call it out,
all-dimensioned,
sketching then filling in details.

Remind me, please:
why do we need a singer?
Why frame this work
that already works so well unframed?


On No

No. 

Great timesaver,
good regulator, 
mediocre philosophical stance,
bad bottom nature

except for those born 
to it,

those for whom 

yes

is just the counterbalance
to their weight, the froth
on their darkness.

Two halves of an ecosystem.
Neither complete
unless matched
to the other;  lovers

cloaked
as warriors.


A Life Of Service

A slice
of pink Milford granite
serving as a coaster

on a small dark desk
several decades old at the least
which serves as an end table

next to a ratty couch
that serves sometimes
as a bed

A man
who serves sometimes
as a pain in the ass

a scapegoat and
a glory hound
sits on the couch

He is half-listening to
a huge television which serves
as teat and manacle

A question remains
as to whether or not
he will ever emerge full grown

from this apartment
he claims is serving
as his cocoon

to serve
as the thing
he was meant to be

some kind of man
uniquely his own being
resistant

to being repurposed
by anyone except
himself

An unwrapped man
serving as
object lesson

by being of total service
to others
without bending his knee


Conversation

A place to start
is with a simple request:

show me
your racist bone.

If you can reach for it
at once, 

it gives us at least
another place to start.

If you’re proud of it,
I don’t know where to start.

If you’re ashamed,
it’s a place to start.

If you’re angry
that I asked,

it will be difficult
but we can find a place to start.

if you don’t have a clue
as to where to look,

we can find
a place to start.

Everything
is a place to start.

You may have discerned that
and have begun to wonder:

where is
the place to finish?

I must tell you:
I don’t know.

What I do know 
is that starting is all we have

to work with
at the moment

and if we don’t do that,
we will never finish.


Doing It Wrong (12/30/2013)

A wave inside says
punch
maybe even stab
so often that 
each fresh anger’s become
just another cobweb
to brush aside

They’re piling up into
quite a gray heap
in a corner
You recall hearing 
that if applied swiftly
they can clot a wound

You start looking
for a wound to stanch
Finding none
you make one
and toss your rage onto it
like a dirty blanket

Your last thought is
that you must be
doing it wrong


Listen, Just Listen

When she protests,
they kick their sand at her
till her mouth is full.

When he protests,
they bury him in their old rags
till he’s smothered.

When people gather to protest,
flood gates open
and they are swept out to sea.

No protest goes
unchoked.  No word
gets out ungagged.

A cry rises from
all these closed throats:
“listen, just listen.”

No one’s going to though.
Too busy crying their own cause,
drowning those inconvenient messengers.


Swinging

It’s early and I’m at the stove
eating oatmeal cooked from scratch;
steeping good tea in a great big cup
while thinking about what I know:

that I am probably going to die
from self-inflicted wounds someday,
and it’s likely the bombs that will do it
are these that I know I’ve already set.

One of these days I’ll start exercising.
Maybe I’ll be good at it.  Maybe the diet and
activity will pay off. Maybe I’ll soon be smaller,
lighter on the earth.

None of it will change a thing.
I’ll die anyway.  I’ll die because
dying’s what we do.  I might do it tomorrow,
I might make it another twenty years

before I go, but I will go.
If I go today while standing at the stove,
spoonful of mush falling from my hand
and the tea spilling as I flail and drop?

I hope I look silly down there on the floor.
Not tragic; not resigned
to ending up a punchline in a poor man’s bed.
Let them say too little too late,

chuckle a little when they picture the scene.
Let them say whatever they want
as long as they include the phrase
he went down swinging, swinging to the end.


Rewind/Fast Forward/Eject

is the title of a soca song
I love to sing
a soca song I love to sing
from an album
released in 1994
released in 1994 on vinyl CD
and cassette
in 1994 when those words
made sense
to a cassette owner
a cassette tape owner
someone who owned and listened to
cassettes
someone who fell in love with a song
and rewound it and replayed it
until it broke
and had to be discarded
had to be ejected and tossed away

less than a generation from now
no one will understand this song
the way a cassette owner understood it
watching the tape gather on the left hand reel
thinking is that far enough?
trying to interpret high speed backwards noise
hitting play to see if it was far enough
hitting rewind and fast forward
and play
and then one last rewind
to position the tape
right at the beginning
of the wanted song
hitting eject when the time came
to change 
reluctantly
to another song

it wasn’t just about 
hitting repeat
or choosing a track number
love
and obsession used to be
analog processes
that took time and precision
took attention and 
esoteric understanding
of what little you could see and hear
how to read subtleties
how to fall back satisfied and then
how to move on

love was a soca song
played endlessly 
over and over
beginning to end to beginning again
until it was over
until it was over
until it was at last over and done