Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Random Thought

You don’t even stop
to think about it.
You breeze through
as if it were nothing
worth considering —
maybe it is, of course;
maybe it means nothing
all these years later, when

all kinds of flowers bloom
by the front door, all kinds of bees
roll around the flowers, all kinds
of danger and crisis are out here
and maybe it means nothing,
nothing at all.  Outside it’s easy

to believe in nothing,
after all; you came up
believing in things that turned out
to be of no value to the world
and you turned from them into
a trust in the artificial values
they gave you to trust; now
you are punished by them, the crosscut
of saws over your back, the whine
of lying voices in your ears
stung by the hornets, bitten
by the long snouts of the weasels
elected since the days turned corroded
and false.

What happened to us? Eh,
what happened to the rest of them?

You correct the message. You are all set
with the message, after all. You’re fine —
after all, nothing will touch you,
you are magic, you are nothing
but smoke to them, scheming,
figuring, calculating the end —
and you don’t even figure, and

the bees don’t care.

~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Safe Space

when I drive into a city near an airport
and (through what I always hope
is some trick of perspective)
see a long-winged plane appearing to aim itself
at a tall building

I feel something shrivel inside

I do not know which organs shrink

but I know that one organ
that does not shrink
is my heart
that is too full of old blood
to diminish so
it wouldn’t be safe to be around me
if it were to compress so

all I know is that suddenly there’s a contraction
and though nothing’s being born
there is a void where there was something
a clearing left inside
by a drawing back of everything else

while it refills more quickly than it once did
it still takes a while to feel right again

it can’t be good that my innards are so terrified of an illusion
it can’t be good that after each incident I ask myself

what is safety

there’s one video out there of that first strike in New York City
taken by chance by a crew filming something else
I’ve only seen it once
I can’t watch it again without that same void opening within
I know what I would see
I would see once again my coworkers dying
I don’t need to see that
I turn my head instead
toward the farce of a safe space

what is safety

what is safety to those who came through not as survivors
but as beaten witnesses
to those who came through such times
with scars we are ashamed to admit we bear

because really what did we see
what in fact happened to us
compared to others

nothing happened to us
nothing happened to me

except now my organs collapse and expand
I go from hollow to bursting in seconds
I don’t ever feel safe for very long

what is safety

we went back to work
in the building with the empty desks
we put televisions in every corner
in case there was all at once an announcement
of an explanation
televisions on at all times in every corner
we walked around for months in there
with the televisions on

we went back to the building
after we sang for our dead
and the children of our dead
we thought of them as our dead
built a wall for them near the parking lot
built a wall and a garden
where the music is always on

years later in that building
the televisions are still on
all set to the news
waiting for the announcement
of an explanation
that will never come

those few of us who remain
from the days when we walked around that building
as if possessed by those who had seen what lay beyond
speak only to each other of those times
as we would like to speak of them

when we are asked by those
who were not there
we talk a different way
because it feels that
no matter how many people
are present
the teller
is in fact
the only listener 

sometimes I have to go outside
to get away from it all
and talk myself solid again

out there I am reminded that

the honeybees are vanishing
as are the monarchs
as are the long winged albatrosses
and who knows
what the world is meant to look like now
or where the safe spaces are

what is safe or sacred
what is worth cherishing
when honeybees and monarchs are vanishing
and the long-winged albatrosses might disappear

when someone asks me
what it was like

a dead weight
on my neck
squeezes a story out of me
in an affectless voice
with eyes set dead ahead
leaving a void
same way every time

I saw it all

still see it all
the broken walls

the broken birds
again and again
the birds

fly into the walls
the bird
flies into the wall
the bird
falls into the field

is there a place where
those long winged birds
land safely

how far ahead
is an end

fact:
long winged albatrosses
fly almost endlessly
only landing to feed
breed
or die

safety
is the only benefit
of extinction  


~~~~~~~~~~~~~~~~~~~~
onward,
T


Just a note

I’m really looking for a handful of folks to add some funds to our accounts here.

You don’t have to add much — just five people adding a dollar each to their accounts equals $12.00 a year — which further gets reduced to a mere $10 a year, according to the crazy math they use here on Patreon.

If you want to do more, of course, that’s entirely up to you. But with my current level of impairment thanks to my strokes, I will not ask for more.

Please take a look at it and give if you can. My personal income has come way down since I got ill and while I think it’s temporary, it is still significant. You doing this will help.

Thanks in advance. The info is available on my Patreon page.

Onward,
T


The Dog Upstairs

Upstairs one of the women
is walking around. Around
and around…she’s got hard shoes
on, clickety-clack; she stops
and starts, starts and stops.
The dog is doing nothing,
the roommate is doing nothing,
all of them do nothing until
she comes downstairs and leaves.
Sun is just coming up and I
ought to be satisfied that no one
cares what I was doing at the same time,
but I’m crushed for a split second
because I don’t matter in the slightest
to the affairs of the neighborhood.
The poetry, the music, the trenchant
observations, even the struggles —
all of that becomes a shrug to them,
or it will when I’m gone. Even after
I’m gone it will be ignored and no one
will know. The dog upstairs, for instance,
won’t care in the slightest. In some ways
he’s the one I think about the most.
He never would have cared in the first place.
He might have woofed once or twice,
seen me going in or out, but
he wouldn’t care after that — not that
he cared at all. He’s the one
I love the most of all. He cares
not a jot what I do, or did,
or care about as I wring my hands
and fret about the state of things
without me and my earthshaking.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Sunday, 9/8/2024

Hi all — I’ll keep this brief.

Thank you for you requests to get “…Roses” from me. Still have only heard a couple of comments back. Feel free to post them online.

Would any of you be interested in becoming a paid member? I have 77 members, all but four of them paid. I’d like to get it above 80 paid members at the low price of just $1 a month. Get in touch with me for more information.

Thanks, I hope to be back with more information soon. And more poems, of course.

~~~~~~~~~~~~~~~~~~~~~
onward,
T


Waking Up

At first a cat
sleeps, then wakes, sees you,
goes back to sleep.

Then there is
an explosion in your head,
and you do the same.

It is dark and
not yet close to
alarm time, wake up time.

You watch light changing,
growing behind
worn blinds in the bedroom.

A wolf, somewhere,
eats a sheep, licks his
hungry jowls afterward.

The cat sleeps. You
try. The wolf sleeps.
You try. The explosion

you try to cover sleeps.
Did it ever happen or was it
a mistake, you wonder. Maybe

it was nothing. All
in your head and it’s
the same in the imagined

aftermath. The wolf
didn’t exist either. Did
the explosion, the cat?

Aren’t you a fool
for being alive and not
quite awake?

The light inexorably
continues to increase.
A cat jumps up, gets down,

goes on its way
and when you open
your eyes it’s all you have.

Morning
isn’t enough. It
diminishes you.

You are a fool,
but no more than a normal man
first thing in the morning.

Crestfallen. Still
asleep. Wide awake.
Lost in the cat’s cry.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Meanwhile

When they put the body into the earth
I will not be there; what they put into the earth
will not be me but will be a remnant, discarded,
left behind.

The body will be divided up
after all– the eyes and the heart split out
and used elsewhere; they may even cremate
the remains and leave them behind, although
no one of the watchers that day will care enough
for the ashes to sift through and see me
in the grey-white pile.

I wiIl be present, though —
will watch from six feet above, hovering;
a dragonfly or darning needle not looking
for me in there but instead will look far and away
toward the random weeds: toward
the ragweed, making you sneeze as I did;
toward the poison ivy to which I was immune;
toward the sunset which left me daily feeling
elated as much as it did incompetent.

When the well-dressed men put the body into the earth
they will feel me as no more than a scant breeze
affecting them for an instant and then it’s on
to the next one — and as for my dragonfly
and darning needle, they won’t pay them
more than the slightest mind. Meanwhile,
the scraggly wildflowers
will bloom and go to seed and bloom,
again and again; think, then, of me.


Same Old Same Old

The cat sleeps on the bed.
Same old thing. I sleep on the couch.
Same old thing. Somewhere a moth
crashes and crushes itself against a light.

It is the same old thing — the same
casual terror, the same joy and relief
upon getting free of them both. Same.
There must be

a break from it, a diversion
into something like boredom, but not quite
boredom; more like sameness, more like
resumption of a status quo.

The left does the left and the right
does the right and both sides are correct,
both sides murder — I do give up,
a whole passionate surrender to sleep.

There must be
a better way but
I can’t find it;
I shrug into forgetting it.

~~~~~~~~~~~~~~~~~~~~~~
T


Last post, for everyone — 9/1/2024

Hello —
Well, it’s the first of September, 2024 — and I have a couple of things to say.

First, a thank you to any and all of you who contributed a thought or a comment during the last couple of months. They were stressful; you helped me through.

Second, I’ve suspended sending out copies of my latest chapbook, “Incredible Roses.” Only four people asked for it; that is not many. If you asked for it and didn’t get it, my apologies; get in touch with me and I’ll make sure you do.

Third — and most of the point — I am more or less suspending the Work for a time in order to focus on dealing with the various issues I continue to have.

As should be clear, I’ve had two or three (the doctors can’t decide) strokes since 3-20-2024. While they were relatively minor, they are still having a profound impact on my daily regimen.

My memory lapses are the most difficult area to deal with, and emotionally I’m not regulated correctly. While my walking and talking are OK, I’m not fit to be back at work and I am dealing with that and the subsequent daily issues that have sprung from it.

I need to focus on these issues for a while.

I’ll continue to post poems now and then — it’s good for my soul. And I’ll still comment on them and respond to yours. The Work will continue. I hope to return to it full-bore someday, hopefully soon.

Thank you for your time. Please feel free to respond as you will.

~~~~~~~~~~~~~~~~~~~~~~~~~~
Onward.
Tony
September 1, 2024


Form and Function

In order to form
a more perfect union
of form and function
a decision has been niade
to release meaning from actions

so you don’t have to mean it
when you say you love someone,
you only have to pay attention
to the shape of your words
and the placement of your eyes.

It makes it easier for some,
harder for others.
It makes it damn near
impossible for others
and makes it improbable for all,

as it should be.

~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Moment of Crisis

What would it take —
tripping, laughing,
falling out of clothes
into bed or even to the floor —
smashing your head
on the hardwood, then
recovering enough
to get your ass up and
truly rest wherever
you end up — alone
or accompanied, naked
again, wordless again,
listening to the birds outside
though you can’t name a one —
what would it take for you
to give up your
pleasure of the moment,
to aim for the heart, aim
for the filthy politics;
what would it take for you
to remove a chunk of soil
from your innermost part
and fling it at the monkeys —
what will you offer them
in place of all the things
that granted you purity, that
got you into bed feeling clean
and serene, that sent you
to bed in the first place
without caring that without you
there might be an offer of nothing
to the Machine and
the moment of crisis?

~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Violet Then Black

Tomorrow is a violet day
when the collapse
of the earth as we know it
comes true.

It will
implode with a rush
of music and someone will speak
on it, say it’s reggae
or rock music or something
else again and we will be left
wondering about it, arguing
about it as the silence comes
louder and louder, or quieter
and quieter.

Meanwhile
the earth (or planet or
whatever term we agree upon
if any) will fall in upon itself
while politicians natter about
and terrorist push their bombs
on us and the ocean comes by
to swallow whatever is left.

We will watch a television show
and argue about meaning and
cry ourselves to sleep and maybe,
if we are lucky, make love one last
satisfactory time and wake up
in a new world that looks uncommonly
like this one —

tinged with violet
and trending toward black, but
more or less the same except
it will take less time and just
as small, if not smaller, a presage
to tell us why it has slowed so little
that it feels the same
as all the other days before the earth
turned violet, then darkened
just a little bit more.

~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Fragment

Spent a lot of time
just looking — had
one rheumy eye, the
left one; had crusties
in the right; they looked
just fine when they were open
and you were far enough back
to not see them; face had
patches of dry skin, red skin,
potato skin, tomato skin; always
one day away from a shave
and the beard though neat
didn’t say much. Didn’t
say anything — a Van Dyke,
nothing special. Didn’t smile
much. Didn’t talk much.
Up until the day he went
violently away, he kept
to himself as expected.
He never told anything
surprising or vile about
anyone, really. Cipher,
I guess, would be a word
you could use. Fragment;
a shrug of leftover man.

~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Reading A Friend’s Work

I try to read a friend’s work
but it’s too hard. The majesty
and flavor of the poem is too much
to tackle. I long to cross the bridge
between the islands of verse,
to connect through a path between
sandy hillocks and the rising sea.
Make it make sense, I whisper
to each island before I stumble
toward it over the cartoon-colored water;
it never works and instead I find myself
in tears, in wails before it — from murmuring
to screams and back again. I am left
with the tottering of meaning on a fulcrum;
trying one more time to balance
long enough to calculate what is being said,
what should be inferred, what is left behind
in the level of the rising threat from the ocean.
I fail, again and again. Having choices
such as this — surrender and let it go
or try to tangle my fingers deeper in
hair and clothing of the work…I sigh,
then bend to it. Bending low to the struggle
though I may lose. I tangle up, tear up.
I go.

~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Just a note

If you are interested, the new book is $5.00.

Contact me at tony.w.brown@gmail.com  for more info.

~~~~~~~~

Onward,

T