Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

The Firetail

Originally posted 10/1/2012.

Just let the firetail go, 
said Papa, so I did; 
it singed me
as it flew off,

Jalil pointing wildly
at the trailing flames
as it surged away.
I screamed and Jalil screamed;
Papa aimed his long rifle
but was not able to strike,
and thus it escaped,
never to be seen again.

Our fear and pain became
a legend; to this day
people speak of the firetail
with awe, wondering how Jalil and I
caught it in the first place, how it came
to be where we were, how we were able
to approach it;  with only this story
to go on 
they wonder:
what was a firetail anyway,
what did it look like, 
was it ever a threat at all,
would we have been burned
if we had never tried to trap it?

Only Jalil and Papa and I
ever really knew the firetail,
and they are both long gone;
I am too old now
to be able to answer,
other than to tell you, truly, 
that the firetail was wondrous to see, 
terrifying to hold, utterly
real, neither bird nor human
nor spirit; I can’t describe it
even though it is the only thing
I see when my eyes are closed
and my entire life since
has been devoted
to trying.


A Certain Comfort

Outside at night to write
by lantern light, on a whim.

Should I offer a representation of 
this clean sky framed by
the strong arms
of the backyard oak?

Not tonight — the Perseids
are overhead and every 
half-minute or so a streak
makes words vanish
as I watch.

If the tree
survives the night, I will 
return to it tomorrow.
Although I am not that familiar
with hope or optimism, 

I do take
a certain foolish comfort
in the magical thinking
that there will always be
another poem. 


The Gates

I stare sometimes
so hard into my moments
in search of their meaning

that I forget to be respectable so

in the name of those
who live just outside
the Gates

I must ask if there is
a natural right to be
swallowed whole

a given right to be
consumed
by a passion
and follow it
if necessary

to such oddity
that you become incapable
of coherence as defined

within the Gates

and if this right exists

why is exercising it
so fraught with danger
so heavy on the shoulders
and

so hard upon our fingernails
so torn and shredded
from scratching
at those walls


Nomads

Never comfortable
where we are,
certain always that
there’s a there 
somewhere that will somehow
remain forever a here,

a home away from home
that will still feel fresh
after years of being in it, a partner
whose intimate novelty
never wears, a medium in which
we never tire of messing.

Get up and go is how
we go, doing that
which demands distance
from the last thing done,
lapping up miles the way dogs
lift water into themselves,

heads down on the lines
in the centers of the roads,
the next right here to be defined
by what feels most like old Eden,
which means wherever there’s no sword
hanging in the air at the time we arrive.


Martyrdom As Social Strategy

You make a long journey
into your worst vision 
of the wrong side of the tracks,
obsessed with 

whether you have the weapons for this,
the right tools for the job,
the right answers to the questions
they are likely to ask you —

all the time thinking
you’re a fraud and they’ll shit you out
after eating you still alive.
You imagine being swallowed

all the time.  You think it’s going
to hurt.  Unbearable pain’s
the only thing you can imagine
for a destination, so

what a surprise to learn
that once you’re there 
nobody’s about that.
Nobody’s threatening you

or even caring about your
momentous presence.
You carried everything you had
to this point only to learn 

it was extra baggage all along —
such a heavy journey. 
What a shock, what a shame,
what an outrage.

It occurs to you to start a fight 
to prove your relevance. Maybe
you should assert yourself enough
to win your rightful ending? To make

all the fear worthwhile? Prove your mettle
to the locals and impress them with
your prowess? You open your stance
and prepare. They want a war, you know,

so you’ll give them yours.  
You labored over it
long enough. Someone
will surely appreciate it.


The Nature Of Evil

I know
the nature of Evil — 

Evil capitalized, Evil as a 
unifying force, Evil not as cartoon cackle

stifled in polite company
but as policy and practice

stiffly written on solid legal
ground and traditional paper —

I know the nature of Evil
due to its presence

in my raising, my ordinary male-raising
that weaponized dense old parts of my soul

which I keep trying to change or crush away 
to no apparent effect since too often

it pushes through and then I lie awake
examining myself until I shake

from knowing how much
I’ve sparked to happen through the clumsy

and sometimes unconscious use of my Evil —
I know enough of Evil to shudder

whenever I meet another 
who reminds me of myself,

whenever I am drawn to their heat
by our common likes and dislikes,

whenever I meet someone
I am drawn to for their refreshing lack

of fucks given
for the sensibilities of others, their

overripe post-adolescent reliance
on just past prime slang and ironic slant

on the nature of the Evil they do
in all seeming innocence,

claiming the right to freedom
trumps the responsibility 

to do as little harm as possible
while living as harmfully as we do,

as I do — I know
the nature of Evil

due to having been
a lifelong carrier,

a candle that reveals
how deep the darkness has become,

and I fear that my choices now
are to continue as this

until I burn at last away,
with
the last of my flame

climbing a wispy column
toward unreachable heights;

to end it now and snuff
my candle cold; or 

to find a firestorm against Evil somewhere
and add myself to it; then

(if I am not consumed there)
to come back as something

not myself, something I fear, something
I do not know 
how to be.


23 Turtles

A long straight tree
half submerged; 23 turtles
sunning themselves upon it.

Ignore the tire just visible beyond them
in the brown and green growth
in the shallows.

At the moment it’s enough
that they are here and you are here
to witness them behaving

as they always have for so many
millions of years.  You, youngster
seeing this: ignore how many wounds

of human doing are visible around them.
Ignore the almost certain toxicity
of the water itself. Celebrate, instead,

how 23 turtles have survived you
and your kind. Celebrate their willingness
to let you off the hook,

to let you see them
getting on
with life.


Shooting Stars

Rocks and dust, despondent, missing
their star systems of origin,
toss themselves into our air
and burn away.

Blame the skies
for those reminders of loss
known as shooting stars.

Think about how you await them,
what you wish for as they pass;

then think about all on earth
who do the same and are reviled
or forgotten once they’ve passed:

only now and then are they noticed 
by anyone, and few can say
if the only wishes they bear are their own,
or if they ever come true.

 

 


Hands Full Of Dust

History’s
all about
dust that used to be
under a Roman boot
or on a Union horse’s flank or
in the Triangle Shirtwaist fire
or on a slave’s chain, on
an old Apache’s
dead open eye, maybe from
under the burned beam
in a bombed Japanese house —  
who knows
where all the dust on your hands
is from? Just try to remember
you’re always leaving it
all over everything.
Handfuls of dust smearing
Now.  You are carrier of history
in all you touch and
you honestly can’t ever get clean.


Daybreak

Last night
came and went and
I’m still here
at daybreak. 
A bit of a 
surprise: never sure
these days if I
will be, but so far,
I’m holding on.

Not sure why
I’m so certain 
that when it happens
I’ll die in my
sleep. Just as possible
that I’ll fall face first into 
the dirty livingroom

or be discovered
sitting upright
and quite stiff
on the couch,
laptop hibernating
with a mediocre new poem
unfinished under the darkness
on the screen,
the cat anxiously
weaving her fear against
my legs and the window
still open,
some small breeze trickling
through my hair.
Will my eyes still be open?
I would hate to think so.
Whenever I visualize
my demise,
I’m asleep. I don’t want
to see it coming.
Would rather be surprised
to wake up, if in fact
this is how it happens,
in a new existence
with no sense 
of impending transition.
I mean, when I die 
it should reflect
how I’ve always lived: 
shiftlessly, a lazy drifter, 

shocked by things
everyone else
sees coming 
miles and years away.


Aftermath Song

Originally posted 1/27/2014.

A seashell just cracked.
A boulder has rotted apart.
Whole mountains have begun to slipslide;
trees have started to sink
into pits below their roots.

Music’s revealed
in this decay:
beats and rhythms of course
as everything tumbles,
but behind that a melody
made of minimal rise and fall;
a note, perhaps two, three at most.

We can flee it with hands on ears
or dance with it
or join in like kids turned loose
in a broken studio full of broken instruments.

New world coming, new tunes humming —
or more likely, a recovery
of an old book of common song.

Shaped note singing.

Small intervals, easy to pick up.

Inherently ours.


An Explanation

This one-note-struck
of all my recent talk
about my rage and sorrow
at how humans suborn
all the machinations of Evil
and take each other for pawns
to be moved at will
in games huge and tiny
can be grating, I know.
It grates on me as well.
I wake up raw most days
and on the other days it’s not long
before I am drawn to picking at
the new scabs and nearly-healed scars
of my previous wounds.  
I have them always on my mind.
I feel them festering and itching on my skin.
I taste them, dark and sour, in my mouth.

You don’t know how much I would prefer
to speak only of my garden 
filled with midsummer close-to-ripeness,
or of hours of simplicity watching my cat,
or of the peace in lying with my love
long hours in a just-enough-room bed.
I speak of these things often in my head;
I feel them often in my skin;
I long for them to be all that’s in my mouth.

But all that daily joy
quickly fails and swiftly pales 
when I move from acknowledging it
in the moment I feel it to using it
to hide from what looms Beyond.
I have a voice, not for me,
but for others. I was not born
to talk to myself. It falls to me
to speak, even if it is poor speech,
even if it is faltering, even when it’s
Wrong —  a bad tack taken
in a run toward Right — how will I know
unless I take it and hear it and choose
the correction?  So I speak and speak
on all that roiling cloud of Evil out there,
over the hill, coming toward me,
toward us all. I speak of those 
it has already taken, of those 
fighting not to be swallowed.
I speak of it always in my head.
I feel it raising the hair on my skin.
I long to one day put its taste out of my mouth.


The Manifest Destiny Game

Get up and get dressed,
leave the house,

set out for the next town,
the next state,

the next country, the next
civilized world.

You’re sick of the games
they play here and

it’s time to go.

The game being played here
is called “Button your lip
until we tap you to speak.”

The game you want to play is called
“Leave me alone for a while until
I’m ready to join in.”

You don’t know
where they play it
but you’ll kill to get there,
kill to stay there,
kill to win that game.

If you end up somewhere
where no one’s playing it
you’ll start it yourself.
Everybody there already
better play or else.  

Or else what,
says one of the natives
of the place you do end up.

Button your lip
until I tell you to speak,
you tell him. And you

button it for him when 
he won’t.  

You groan it out loud
and you don’t care who hears:

Goddamn savages, 
primitives, beasts blocking
the playing field.
Why are you still here? I’m ready
to join in, and it’s

not your game anymore. It’s
not your play. It’s not
yours.


How I See You

Secure enough
in your person 
to fall comfortably asleep
trusting you’ll
awaken refreshed;

comfortable enough
in your home
that you do not fear 
steps in the night,
flashing lights, the sound of
official insistence upon
your yielding,
having to put all your hope
into a skin-saving
bow and scrape;

settled enough
with the Accepted Backstory
being correct
that you stop listening to 
urgent offers and pleas
for changes in the narrative;

empty enough
of empathy
to get by
all the time, all
the livelong day,
with the news 
being no more
than a buzz, a fly
you can brush aside,
a petty interruption;

easy enough
for your head to be always
shaking off
the daily showers of blood
as if they were nothing
but warm spring rain.


On First Glance

Originally posted 1/7/2010.

First thing to catch my eye
when I sit down to write this morning
is the plastic Halloween glass
with its images
of skeletal girls in pigtails,
shaking Jack-O-Lantern maracas
as they dance.
Two weeks after Christmas,
not the least bit out of place.

When the Tasmanian wolf appears
(said to be extinct but there it certainly is)
by the door,
I’m not at all
fearful.  The animal
must have spun in here by chance
as the earth passed through
its current dimension.
Spider legs, stripes, 

jaws like a car crusher:
in this salvage yard of an apartment
its presence make sense on first glance
since my place is full of discards,
second hands, re-purposed items
finding new lives. I usually can do something
with anything I get my hands on;
maybe that appeals to it.

I decide to name the beast Johnny.
It looks up when I call it,
comes to me as confident
in its power
as any other myth
would be.

There’s still some water
in the Halloween glass
so I offer the wolf a drink.
It begins to lap, the long pale tongue
flickering,
not caring that the water comes
from an off-season source
or that it’s going to become 
a metaphor for something
as soon as it blinks back 
into its usual state
of not being here. 
It seems to sense safety
in this room I’ve dedicated
to taking something
that looks wrong
on first glance
and making it right.