Author Archives: Tony Brown

About Tony Brown

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A poet with a history in slam, lots of publications; my personal poetry and a little bit of daily life and opinions. Read the page called "About..." for the details.

Vindication

You drifted into this
as a boat unmoored
might drift:

predictably, 
based on past unmoored boats’
behavior
in an ocean with such well-known currents.

We suspect you’ll say now that
you were surprised
to end there of all places.
We have to call you out.

This was so obviously
going to happen. We shook
our heads about it
right in front of you.
We said it
right to your face
so often, we’re a little surprised
you didn’t dream about it
every night. It’s as if

you never heard us —
or maybe you did,
and then did everything you could
to be what you shouldn’t have been;

it’s almost as if you were determined
to end up there on that far shore
starving and broke and broken
with no way to come back, almost
as if you were determined to be
as far away from our good sense
as possible, and we’ll be damned

if we know how
or have the wherewithal
to rescue you now — look at you

sitting there, staring into the sun
as if you’d never been told
not to do that.


No Faces

Studies have shown that
we are swiftly evolving,
losing obsolete traits; soon,
perhaps, none of us will have
an easily identified face
or name as the great
mass of us has no need 
of such things in the larger
System. This may be why
we are fighting so hard for them
right now — the last grasp
of those things slipping away,
sinking into a hole called 
the species, the course of
history, the past. Imagine
that — living without
any of the markers
we’ve relied on
to decide what to say to
one another.
Imagine the freedom
of not having to live up
to your own name;
imagine the joy
of perpetual first encounters;
try to imagine whether or not 
we could even care
for such things then —
imagine

how the definitions of joy, love,
and care will have to evolve
in order to survive, if indeed
they survive at all.


Chastisement

Originally posted 3/31/2011.

talk about walnuts dammit
speak of bananas or plywood
maybe there’s a door to consider
or typewriters themselves
so sexy and so willing 
to be closely observed

talk about bricks dammit
spend an hour staring at one
until you have the red dust
and the surface pitting memorized
keep staring until
the brick’s all mopped up
and your awareness of it
is ready to be wrung out onto paper

see the pavement — kiss it
see the cobweb — swallow it
find a key — stuff it up your nose
learn how brass smells
of dirty fingers and ozone
then gimme an epic about that scent —

start maybe with

first time you noticed  that smell
was when your mother died

the keys were in the hand
you bunched up to your face

you could smell and taste them
mingled 
with tears and lemon polish

on the oak table where you laid your head
to weep when it happened

or anything else
any something or other
some incident
something or nothing at all
just talk about
something real

rage has no flavor
and neither does love
but bodies do
and so does your blood
so give us the taste of your iron
your salt, your sour meat 
we are hungry and thirsty
for you


No More Slogans

No more slogans, poet —
your great good words of theory
have no rhythm,
are no generator
to charge a rebel’s heart.

 

No more slogans, poet —
to change them make them feel
both bullet and healing,
scent of blood and of
lily on the casket.

 

No more slogans, poet —
your time is closing;
they may take you soon. What
do you think we need most now —
your flag, or your fist?


Cold And Crocus

season of cold and 
crocus — purple chalices set
against mud-specked white

lit in the backyard
by headlights upon
late homecoming after work

exhausted, hungry
for shower, supper,
undirected talk, good touch

later, before sleep,
the making of a to-do list
that starts with raking the yard

once (of course) the crocuses
are done with their blooming
and their season is done

then it will be our time
to see to our garden —
but until then

we shall leave it to
the crocuses
to remind us that winter

will come to an end
will be marked
and announced

regardless
of us
spring will come


jazz and whisky (for phife dawg)

on the night of phife dawg’s passing
I am drinking in a club
where there’s jazz on stage
a bowed bass singing

i don’t know enough tribe cuts
to call them all out here
but I think about him more often
than my own knowledge should suggest I might

we share the same disease
it’s killing me as it’s killed him
I’m dying here tonight with 
a whisky in my hand

I’m not an addict
I don’t crave sugar
I’m not in that sad kind of shape
but I know enough of those things to know

that tragedy gets hung on some people 
the way a shadow follows others
tacked to their heels like a comet trailing
so you go “damn that’s a sight to see”

even though you suspect
from the first time you see it
that it’s tied to a land mine or a bomb trigger
and the person trailing it ain’t long for the world

if I’m one of those
not long for the world

I hope I’m a comet
the way phife was a comet

it’s killing that he’s gone
a killing sort of moon in the sky tonight
a killing sort of breath I’m breathing tonight
I suck down a half dozen drinks

asking myself
in the only tribe line I know
if I can kick it and lying
that of course I can

I’m not worthy
of biting that line
not worthy
of anything more

than looking tonight
at grief and resignation
called up by a bowed bass
that somehow makes me cry

when an amateur chanteuse
sings “st. james infirmary”
sings “let him go god bless him”
and sitting with my whisky at the bar

I have no choice
but to cry
to ask for a blessing upon him
to let him go


A Relief

We don’t matter, 
you know.

As much as we’d like
to be important, 

that is how much
we are not.

Thank God for that
as God made us in

God’s self-important image
and that’s all we truly share:

the ego of Being as We Are
and no more.  According to

the Bible we were born to,
we named shit and then 

screwed up from there and now
we’re in the dark groping toward

a way back.  We’re a damn cliche
and are not even individuals within it —

there we are,
exemplars and not people — 

trying, desperately,
to make a mark amid

well-deserved skepticism:
we don’t matter, and isn’t it

a relief to not matter
in these times that might

give you a chance
to escape.


Type 2

If you can imagine a future for yourself
without, say, bread or beer, one

where your memory
will never fire into regret 

over a stray whiff of either of those,
count yourself among the lucky ones

who have the strength
to move on completely

into some blessed world of shrugging off
any nostalgia for past pleasure

in favor of a grim determination
to get better, to stay healthy, to not succumb

to that which will slay you in increments
thanks to your body’s insistence

upon acting up and doing the opposite
of what it was built to do; if you can imagine

giving up primary sensation in favor
of living in a more or less diminished way 

compared to the way you have always lived
and still finding it worth your time to live —

if you can do this, pull up a chair and speak to me
in low tones of how you do this, for indeed

I cannot entirely find my way clear to any future happiness
knowing that I have surrendered the things that gave me

such past happiness — the tough-into-tender mouth feel
of still-warm bread, crust yielding to cloud of earth and heaven

combined; the deep bitter-over-sweet chewiness of a fine stout
at the end of a bad day and the exhalation, eyes closed,

upon swallowing that first good gulp of stress-relief; Lord knows
I miss these, and if you say it’s a question of dying or staying alive

and it ought to be an easy choice, I say
yes, exactly, it is a difference between dying or staying alive

but as I barely live and barely breathe, 
I don’t know what to call this existence tonight.  Tomorrow

I will surely be OK, and the day after, and in the long term
I’ll figure out some moderation or accommodation; but tonight

I just want some excess of good bread and good beer again,
that good life that exalted me even as it was killing me.


Eulogy For The Wrong Guy

he was
the wrong guy 

for damn near every job —
modest brain and small brawn
built for clumsy
not for comfort
or smart 
or speed —

had one decent trait —
a modicum of skill
at stitching memory
to current events, then
making a song of sorts
from them — when
the memory started to go,
that went with it — it wasn’t 
much of a thing in the first place
so — 

he was
not pretty at all

in his own eyes — acted
like he was because 
someone told him that’s how
you get over but mostly

he was 
ridiculous

rankly bad at times
when it suited his cowardice
to be so but mostly just 
criminally lazy when it came to
right action —

his heart admittedly was
mostly in the right place
even if it was small and
moved around too much to ever
be a great anchorage —

he was
unreliable as narrator
and as man —

still he was

somehow loved by more than a few

which (he alone
knowing himself in full)
puzzled him enough that
he did not trust such love
to last and so

he was alone when he passed — 

it would be romantic to describe him as 
tortured but 

his struggle never
rose far enough into epic territory
and never led
to epic enough art

for the description to be apt —
the wrong guy really
for that — 

we say instead
he was throughout
a self-inflicted wound — 

now that at last
he’s not

we wish him peace and healing
wipe a scant tear away —

then
the forms having been observed

turn back to
whatever we were doing
before we found out

how dead he finally was 


A Message From Your Colorblind Friend

You must know
I don’t see anyone 

when I look at you — 
that is, 

I see no features
that are real and important,
nothing worth making
an attempt to understand,

no difference that makes 
a difference as I understand
the word and the world; I see only
what I think I’d be like

if I were you, and if I were you
with all the ways you are visible,
I’d be dying to damp all that
down. I’d be trying like hell

to be clearly present, as in
a glass of water, a squeaky
clean window — I’d try to let folks
see me without seeing

all the trappings of
those pesky social constructs
that you really shouldn’t let
bother you. Seriously, friend,

take my word — when I look at you
I see right through that,
right through all that, ’cause
we’re good like that, right?

 


Powder-Soft

Letting this night go,
this bird or giant moth, 
as it’s leaving us behind, flying off 
on powder-soft wingbeats.

It’s been either mystery
or mistake, no doubt, but we’re not
getting another word as it goes
away; we’re being left to fill

everything in — what it was, what it
said and how it spoke.  It will not
serve us to make up too much, but neither
will it be good for anyone to leave gaps

where we imagine the truth should fit.
We should tell what truth we know
whenever we can, even if the night
left much unsaid. So let’s sit

on a bench in the dark and talk
until we think we understand, or 
understand enough to say plainly
what we think we know, what we

are willing to commit to: how to interpret
the mystery, how to fix the mistake,
how to get to dawn from here as the night
rises on silent wings, wounded or not

but resisting in
the only way it knows:

by not giving up a secret without
a sacrifice or an offering.


Blood Song (Complaint)

My blood’s become
a culture of complaint,
granular with apologies
just scraping by.

Living as I always have
in the place between
others’ love and hate, my body’s
an oft-rewritten history and I am

not the primary author;
though I am trying to assert
my voice in it, it’s not easy
over the grinding in my ears.

Am I at once
as bad and as good
as I’ve been told?
When they insist

I am this and not that, when they
beat into me that I am that 
and not this, when they hold
the patent on what those words

mean, when self-definition
has been so disallowed here,
how am I supposed to hold up
my hand and say I simply am

when my blood’s so thick
with apology, when the scraping of it
on my vessel walls
is drowning out the small whisper

of my real name from deep within?
Sometimes it feels that it might
get me closer if I were to open 
a vein and let some of that out,

spill it on the ground — here’s
one drop for all my ancestors,
one drop for my hate, one drop
for my love, a grainy flood for all 

which is not me but which made me;
perhaps when I see at last
my husk, I’ll know
what I was from the start:

a rewritten history throbbing
with sluggish tales of theft
cajoled from the grasp of proud
and self-assured people; another tale

of a mixed blood boy
ruined almost before he started —
that’s the tale they want, the tale
everyone wants —

but no. No. I’ll rewrite it again
with the full pain of my arms 
to inform me. If that does me in
I will at least have not bled out

a stream of sorry before those
longing for it. If that does me in
at least it will be me who passes:
not their construct, not their boy,

not their exemplar  
of a national tragedy. Just me
cooling down, the culture of complaint
pooling down, the grinding at last at an end.


Loud, Louder, Loudest

Originally posted 1/7/2012.

Some days
are just one
turbocharged
evocation
after another;

then there are the ones
where you sit around
wondering why
it’s not one
of the other days.

Frankly, I could do with
a few less of
the former
and a lot more of
the latter.

Every moment of every day
doesn’t have to have a point
and I’m tired of getting stuck
and bleeding almost out
because of the ones that do.

Right now, for example,
all I want it the road,
the wide open engine, and
the loud, louder, loudest
three-chord songs;

a day with nothing to escape from,
no reason to be driving that fast
except 
that’s how
loud, louder, loudest songs

sound best.


Post-American Song

Originally posted 3/24/2012.

It’s of no larger importance how any one of us dies, including me —
the inevitability of the event is king
over the madness of the method  

Don’t care if it’s from gun or blade or germ
Don’t care but don’t want it to happen too soon
I know it will happen and I wish you could see it as I do

As wave of the star enveloping
As wave of the earth encompassing
As wave of the wind embracing

Then the next minute moment second instant
must be suddenly different — suddenly not this
All I want to know about that moment I cannot know

So I sit here speaking of death, fingers tapping, waiting
Oh the damn notion of all of us having to wait
You wait as you will but I will be calm and resigned to it

How we die is trivia though it does not feel so
Every death I’ve known has been in some way most trivial
Every individual an inconsequential body gone

(except — I admit — each was a wave
of earthquake within me that felt as large
as how I had loved them)

But I am the broken acolyte of continuance
Death and aging hollowed me out a long time ago
Now all  I yearn for is my choice of method

As wave of desire punctures my reluctance
In this country devoted to living forever
To never reading the sick bulletins of its unconscious satisfactions

I don’t care how any of us live, no
Live and let live is here practiced as apathy not compassion
Does it look the same when it’s not about love but instead about disinterest

I don’t care how anyone anywhere dies, no
Do you think that is awesome or troubling or false
Wave of suspicion engendering my breakdown

Come as you are, all of you
come incorrect
to the throne of mirrors

Look at AMERICA the hall of just in time history
AMERICA the holler the chorus the cadence
AMERICA the man in the trembling suit

Look at the gun in the hand of the —
what is it today anyway?
Who are the current heroes of our vigilante songs?

We don’t care how others die
as long as the lettuce
stays crisp

Method is ghost
is memory
is suggested mask for the inevitable

I am wearing the mask of a wave all-encompassing
I am wearing the mask of a wave of righteousness
I am wearing the mask askew from its moorings

I will take off this mask
and look at America
Wallflower with its back to the fourth wall

or is it behind me
watching the others
Is it in front of me on a player’s mark

I don’t care if it dies or how it dies
if it makes sense to the plot, no
I don’t see that death as being all that surprising

since I never believed
that the rockets and twilight should lead for certain
to dawn’s early light


Bedside

Originally posted 3/14/2013.

Maybe that clock of yours is sick,
or maybe time itself is ill, but 
either way, trust me — it’s not time yet.

You’re going nowhere,
not at least until the daffodils in the front yard
are fully up and open.

There’s bad television to watch yet,
lots of it, enough that we could get tired
of watching and go for a walk.

You can’t go until we’re both tired of bad TV
and we decide that even a walk up and down
this terrible hill of a street is better than that.

I know I’m right. That clock of yours 
is sicker than you are, or time itself is what’s ill — 
you’re going nowhere until the daffodils

have bloomed twice 
and we’re in great shape from walking away
from bad TV.  Then once we’re in shape — 

not this spring but next — we’ll replant the beds
out front and get something
other than daffodils in there;

I know you love that yellow but face it,
everyone’s got daffodils.  When we walk
the hill, you’ll see all the daffodils

in all the yards.  You’ll see — 
the robins are back.  You’ll see
the sodden trash of after winter

and how much still needs doing.

Just listen to me, please:  your clock
is sick and so is time itself.  Please
don’t agree with them in their fever.

Please don’t agree with time,
with how it’s burning you up.  
Say you’re going nowhere, please.  Say

the only place you are going
is to the couch to watch bad TV with me
until it’s time for our walk.  

Say the clock
is delirious, is making a huge mistake,
is too sick to be right. Please.