Monthly Archives: November 2024

Porcelain

I recall a person — no matter
their gender, don’t sweat their body type —
with messy hair and porcelain voice
that broke in the upper registers
at precisely the same places it always did,
each time they spoke or unnervingly sang.
I hated listening to them but found it
required that I did so whenever they spoke
of what they knew, what they’d seen.
Damnation to them for the force they tried
and tested on me. I just wanted to sleep
very still in my own bed and blankets
and pretend I had nothing to do just because
they told me to do it. Eventually I’d get up
cursing their fragile way of speaking
that nonetheless smashed rock hard upon me
and forced me to rise. Rise I did, a half second
behind their beat as if knowing the smoke was coming
but trying to stay clear. I recall knowing them
but forgetting them, falling back into
the stagnant flow of daily life — where is the milk
for the coffee, where is the coffee cup?
Half a second, maybe longer,
maybe a full second. Maybe the messy hair
distracted me. Maybe I couldn’t get free
of the voice. Porcelain, the voice,
cracked porcelain. I recall it
as being part of a person. I don’t recall
anything beside sadness
that I cannot know them.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


The Bands I Used To Love

The bands I used to love
don’t love me anymore —
what am I saying, they don’t
even know me, they might miss me
one day or else they won’t;
they might tune a guitar my way
or sing a note my way but it will
not be the same.

The bands I used to love
grow static to go with the radio
and moss up. The members
grow moss and static up
with marriage or real jobs and they abandon
the music like the texture of the rock
it’s built upon.

The people I once loved to see
play their music don’t care
as I’m gone, as gone as last night’s
gig fee to beer and weed and perhaps
to food — or the odd pedal
for the odd guitar more likely;
they don’t care —
and they shouldn’t.

Their music remains behind
in spite of them. Half the music
is left in my head to fester
or to be preserved more or less
until it decays and changes to my own.
The other half gets lost in the shuffle
until I don’t recognize it except to say
I think I heard it,
once.

~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Three Floors

Second floor —
the girl
with the broken leg
and her roommate
who is never there.

Third floor, the woman
witb the brain illness
who hasn’t changed
her inspection sticker
since 2023.

On the first floor?
Me, with two strokes, a partner,
and a cat, but let’s not
dwell on that. Let’s instead
dwell on how dark

it’s getting out there
in the world, the nation,
the tents of the unhoused,
the darkening nights closing in
on Thanksgiving.

Anything other than
my ruined life. Anything
other than the destroyed Earth.
My heart skips its uniform beats
often — I try not to dwell here

in the brimful parade
of souls who don’t yet know
they are discarded and have been found
wanting. I’m waiting for the right moment
to tumble into the fire —

except, it may not come. It may instead
drag itself past this holiday
into Christmas, then past that
into a new year. Second floor may heal
and third floor may heal; I might heal myself

or figure out a way ahead.
None of us know. Meanwhile the stars
continue turning slowly, slowly above.
They don’t care above us. They just turn:
oblivious to pain, to holidays, to the setting

and the rising of the sun;
glorious to see the uncaring nature
of things. Of things invisible
to us all. The cat yawns and stretches
in my spare room where she sleeps.

~~~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Forgotten

Forgotten men,
forgotten women, everyone
in between, sitting lonely
in homes and not-quite homes,
in rooms paid for weekly, shut in
and alone, sitting
unaccompanied in dark and naked rooms
and waiting to die or for something else
to happen suddenly and take them
off or out of the silence of the earth;
forgotten men and women and everyone
in between sit and stare lonely in their
shabby clothes and think of those gone first,
those lucky few and then many who went earlier
as a trickle and then a flood of relief and sorrow
and wonder that their own lot is to stay —
old homes becoming new or being knocked down
as they are, as they are; old bodies becoming
fragile as destroyed leaves on a sidewalk
with their bones showing through and them saying
they were younger once, they were stronger once,
they were handsome and strode strongly once
across their stages; and now
they sit weakly alone in rooms and wait for
the knock on the door, the hand on their shoulder,
the sheet being lifted and resting gently
over their faces before they are taken away.
~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Exercise #1

outside the front door,
hibiscus — last summer’s buds
cling to faint brown limbs
as if they have more to give,
as if they are not browned themselves.

still they promise life
as if they have more to live —
lying little pods.
they have come from nowhere else;
sit like birds, eggless.

dead buds hang, inert
on hibernating limbs — some
will fall off by spring.
some will hold on till they can’t.
spring will come when all have gone.

~~~~~~~~~~~~~~~~
onward,
T


Soup Kitchen

Grab the ladle from
the server and chug it down
despite the burning of your throat
and the protests of the people
who just came down to help.

Your clothes are ragged, your clothes
are dirty, your clothes are
mismatched and of odd sizes;
you don’t care, you don’t give
a server’s sense of ownership
of what they are
or how long they’ve toiled for you.
You just want soup, hot and thin
and enough to hold you still overnight.

Out to the day you go
and a server blesses you, tentatively
as if they aren’t sure you deserve it.
You aren’t sure either if you do
but you shrug and take it.

It’s cold out here. Wait to see
what comes for you, what mercy
might fall to you. Maybe
a bhangra song of lost love
in a snatch overheard, maybe
nothing but car horns and curses.

Tomorrow
might be different. In fact,
it might not come at all.

~~~~~~~~~~~~~~~~~~~~~~
onward,
T


A Place To Call Home

Take my body,
take my bones,
take my spirit too.

Wash off
anything that clings, that dares me
to ask it to hold fast.

Take the statues of Ganesh
to the kitchen sink,
wash off the dust that clings.

Leave behind
the rank idea
that anything past should remain.

Did I really need the clothing?
Did I really need a place to hide?

Walk out naked
in the cold of morning
and turn away from the day.

Cling to the night
for the time remaining
and resign myself that it’s gone.

Go back inside
and sit with a sigh
on a chair not made for the weak.

When I at last
stop clinging to the past
I’ll heave myself into the day.

But I really need to sit for a while.
I really need a place to hide.

I really need the clothing.
I really need a place to call home.

~~~~~~~~~~~~~~~~~~~~~~
Onward,
T


I Will Not Turn

The angels — Rilke’s gang
of upstarts — called me. I refused
to go; after a while they went
and I was alone.

Corruption seizes the night
in the hours before sun comes up.
I wait for the tender shade of the morning,
the lighting of the blinds. I’m alone.

Cat, or a being like one, in the spare room
prowling, skulking about. In dawn’s breaking
the cat will turn into an angel like Rilke’s,
or maybe more like one of Blake’s. Either way

I will be alone. It doesn’t matter
which way they turn — into terror or war,
into beauty or inscrutable meaning. I will not
turn; I will face the day squarely. Again — I will not turn.

~~~~~~~~~~~~~~~~~~~
onward,
T


Oceanside

I am terrible at certain things
which I should be good at
by now — all the years
in a heap strive to make me
at least competent and I should be
a master or so you would think —

but the list grows and grows
and I fail so often, even recalling them
imperfectly, even recalling them
incompletely or not at all; in fact
when I try to

I am remarkably bliss-filled, let them
go, let them fall from my head like feathers
from a bird, sometimes a drab robin,
rarely a vibrant cardinal, and once
there was a hawk feather  — this is
where my dreams have brought me:

years heaped up and up but dissolving
like castles, crude or elaborate in the waves
that lap this shore until my competence
or mastery do not matter anymore

and an hour from now in the sunset
it will be gone, all of it will be gone
and I will sit back, a neophyte,
marveling that memories do not matter
while the sun still is winter-brilliant
and I have time, short time to make more.
~~~~~~~~~~~~~~~~~~~~
onward.
T


Playing With Stevie

In a Stevie Ray mood, so
let these fingers fly around and sting
slow gems on “Lenny,” fiery speed
on “Couldn’t Stand The Weather,”
imagining my own clodhopper fingers
doing the work instead of what they can do:
just plodding through a change here,
a letter here, a phrase there and there,
change a single note to change the world
or my world perhaps; damn these meathooks
as what they are; unfeeling sharp slabs of metal
past the changes, too fast now and then too slow
as they regiment and stumble over ground
Stevie claimed lomg ago — still I try
now and then, up and down and maybe this time
I will strike one note well and then will try again
and over and fail after the small success of the one note
that suspended itself — a cold shot, singled out
in painful example one time after a hundred runs,
trending toward a thousand until I finally
fail utterly and turn back to the Word.

~~~~~~~~~~~~~~~~~~~~~~~~~
onward,
T


Alone In A Morning

I take a piece of butter bread
and spread it thick with butter again
and also honey — not thick with it
but thick enough — and turn it loose
upon my tongue where it stops
me for a minute, less really
unless I close my eyes after a bite
and think: is this enough?
Is this enough to stop hunger,
end war, give me peace and allow me
to harmonize with silence for one moment
after, until I take another bite?

It isn’t. So I take
another bite, feel honey
in my beard-hairs, chew slowly
around butter — a big chunk
if you can call it a chunk when
it is so soft and when bread
melds swiftly to it until
they are one —

and I close
my eyes, alone again
for a second time this morning
when it is morning here,
night elsewhere, cusp of a day
when anything could happen,
even a piece of butter bread
coming together with honey
and extraneous butter until
you close your eyes one final time.

~~~~~~~~~~~~~~~~~
onward,
T


Miesha

At night
the cat does nothing
she hasn’t done all day;
curls up on the bed
next to my leg
amd falls asleep
with no apparent care
for the state of the earth.
That’s it. That
is all she does
and I wish I could learn
that skill or attitude
from her.

~~~~~~~~~~~~~~~~
onward,
T


Deliver Me

I wake up singing
a song about a cowboy
then it changes to a song
about a fireman and then
a song about a gunslinger
and one about a robber
and all the time the real heroes
are fighting the real villains
elsewhere and they don’t care
what songs there are except
“We Shall Overcome” and
something wordless and keening
over the bodies of the dead —

it doesn’t matter whose bodies
they are, or were, just nameless
hunks of dead angels for God
to shake his head at and say
“Go on,” that is, until no one
is left to cheer or sing.

~~~~~~~~~~~~~~~~~~~~
onward,
T


Care To Dance

Care to dance? I
can’t dance. Feet flop,
clumsy arms, spasm along
to any music, quick or
leaden on or off the beat.

Feel like singing? I
fail at that. Broken notes
delivered in highborn tones
or whispered mistakes
of melody on the line.

Can’t play guitar, piano;
can’t use a drum or horn
to save a life or even sound
an alarm. If you expect it,
you expect wrongness.

It’s a puzzlement == I
am your mistake, aren’t I?
I should have your mark,
your lies, your false steps
toward your own Utopia

embedded within me. I
should be like biting
on tinfoil, just before
the excruciating pain;
I should be waiting to die,

same as you. I
am not, though. Instead
I bang a drum, honk on
a harp, clumsy play a failed
guitar; I crack forth a failing song

and I dance like a bear. I
dance like an army, like a
forest burning in the darkness
outside the towns, the cities
where you sleep.

You awaken to the sound. I
keep going, louder and louder;
the staggering roar of the bear
or the lion, the hiss of the snake
twined within; behind it all

a more enduring song. I
feel, as if it could be a mere suggestion,
the tender whistle of green filtered
up through ashes
into sunlight.

~~~~~~~~~~~~~
onward,
T


Wolves

You recall
the thin bark of stones
hitting you. You recall
silence at night.
You recall the transparent sneers
of the willing, how like sheep
you thought they seemed.

It is all happening
again, you know it is,
only it will be far more,
far more of the same.

Well,
it’s going to get
colder. There will be
more stones and sneers.
More sheep.
More wolves.

Bundle up.

~~~~~~~~~~~~~~~~~~
onward,
T