Monthly Archives: November 2023

Keep Your Eyes On The Hands

Maybe I’d be happier
if I believed in something
currently absent
but said to be returning:

Jesus, or America. Maybe
that tug of hope,
forlorn as it might be,
could pull me up.

It is fall, aiming to become
winter soon enough. Then
it will be spring. I don’t need
to believe in that — it’s not

a myth but a fact. Jesus, though; well,
Jesus ain’t spring. As for that other,
it hasn’t earned my belief.
I won’t spend it on such grief

as it has given me. Some think
Jesus and America are one and the same.
I hope for my sake that’s untrue.
I find the devil more credible. 

I know you are shocked. I wish
I was able to believe in your hope.
I know some good people who do.
I’m just not one. I’ve seen things

they haven’t, been seeing them
for over five centuries now.
It’s hard to forget that
and succumb to hope. 

Maybe I should just wait,
depend on spring to pick me up.
If I was sure I’d get there,
I think I could hang on. 

Till then, I’ll listen to you
sing your songs of Christmas
and watch you put your hands
over your hearts. See,

I have learned: regardless
of how much you hope, how much
you want to believe, you must always
keep an eye on where the hands are.


American Poem

From November, 2021. Revised.

If you are writing
an American poem, insert
a nature image here.

Purple those
mountains up, like a god,
then chew

that scenery
until there’s nothing left
to suck from it.

American poems
should contains a rigged dance
of myth and cynicism

in which we 
step on
each others’ toes

then apologize nonstop until
the pain becomes so strong
we cannot help but lash out.

Every true American poem
should hold a throng
of exuberant ghosts

and babies, crying, screaming,
playing; doing just what
they have always done.

Some say not the babies,
please. Leave the babies out of it,
they are precious

and innocent. Buffalo shit,
you say; inside this poem it’s
the Fourth of July,

which
was built on
dead children.  

In every great American poem
should be an America over half
of its readers do not recognize.

Check the mirror. There you are.
Still cheering, still writing,
but only backwards.

A good mirror
shows you your other side.
A better one shows you more than one.

This is an American poem
and if it’s any good
it’s chafing you

like the dish on the table
with the turkey
and all those sides

while the purple mountains
stand above it all
watching us and wondering

where they went wrong
that this is how it feels now
to write an American poem.


Car Radio News

Car radio news
is filled with black rocks
flying through space,
struck from hard places
on this hard planet,
becoming flame
wherever they land,
spreading fire.

Car radio news has taught me
and I have learned
and forgotten
and had to relearn
too many times
that all lives 
are made of coal.
Anyone anywhere 
will easily flare
and then be consumed
if touched by fire.

Car radio news?
Just turn it off,
someone says. Why not listen
to music? Old music
we danced to as kids:
water on embers.
New music feels too much 
like rocks ablaze
above our heads, coming in fast
to strike us,
we who are heaps of coal.

Because, I say.
Because we are already on fire
and nostalgia offers no blanket
large enough to smother it.

Because, I say.
Because we should never forget that
everywhere is a hard place
waiting to be struck and 
fling its black rocks into space.
Anywhere is a landing zone.
Anywhere can burn.
Everywhere is always ready to burn.
Everyone can burn.

But for you I’ll change the station
for now as we drive. For you I’ll find
something made long ago,
something made to play
by a fireside.  We can pretend
for a little while.