Monthly Archives: January 2020

The Haunting

how are you
he said,
worming forward 
from the foot of your bed

to where he could
see you better, him being
almost blind from years
underneath 

the corner dresser
in the dust where 
you’d forgotten him
that time when he fell

off the bed and rolled
under there and now
somehow he’s back
as familiar and needy as ever

but you aren’t having any
and when he gets close enough
you toss the covers
and off he flies again

into the corner
where he has lived
although you thought
he’d gone away years ago

and now you see he’s not
so what does that mean about you
that he’s back haunting you
getting this close to the new you

you’ve worked so hard to create
how are you, he said blindly
as if he couldn’t see how different
you are now

proof of that being
how quickly you fall back to sleep
and how little he shows up
in subsequent dreams

but in the morning
you move the dresser
sweep underneath it
and everything else in the room

leaving the curtains and blinds
flung wide and the windows open
for hours in an exorcism
that’s worked before and you hope

will work again because
this is what you deserve
a night free of his voice
and a home as fresh as a good wind


Episodes

1.
I came to this moment
with my head in my hands
and my hands wet from years of sobbing.

It was not a journey’s end.
It was being roused
from dumb despair to find myself

in precisely the same place
and position I’d started from,
having mistaken

long nights
of shaking and staring into darkness
for progress.  

Now I see that of course
progress is relational
and depends on how easily

people take hold 
of those around them
in the dark. With my head

in my hands and my tears
drowning me, with no one
to shake me free of it,

how could I ever
have seen
that I was not moving?

I could choose to look up
and dry my face
now that I know, of course;

I could pretend I recognize
any of these concerned faces
and reach out.

But progress is relational
and this is not progress,
I think, but a change

of set-dressing. Still
the same place, faces
changed but still

not quite visible.
Reaching out from here —
my hands so wringing wet —

who can hold onto me long enough
to help lift me? It is practically
guaranteed that I will slump again

into this. Maybe
this time I ought to agree
with the dark that I should remain

invisible to all including myself, or maybe
I should try to stand on my own, convince myself
there is a path out, a journey

that will end up somewhere else. I cannot tell.
Hope or foolhardiness
look about the same from here.

2.
I pull my head off my shoulders
and bowl it into those before me.
They fall like pins, and this time there’s no reset. 

I’m still sitting, headless
in darkness. It’s better.
The crying, at least, has stopped,

or at least is happening
somewhere
other than right here. I can’t hear it anyway,

what with my ears
on the detached head
that’s vanished into a pit

somewhere.
It will come back to me
changed. I’ll be alone

when I set it back onto
my shoulders and leave this place
for a real journey.

I won’t have to cry any more
or lose my place. I’ll be alone.
I’ll be gone. Loose headed

and so far gone, I’ll be on
a return track the whole time.
Around the world and back again.

3.
I came to this new moment
with my head back in my hands
and my hands once again wet.

But it’s different this time,
or so I tell me. This time
progress can’t be relational

because I can’t see any faces
around me when I lift my own
to look at where they were. 

I remember the sound
of them crashing away from me
so well now. It’s traveled

around the world
and back again. So loud,
as if it was still yesterday.

So loud I wish
my head had never
come back to me last time.

I bury it again
where it was,
where I tell myself it belongs.


Gears

sand in gears

teeth scratched
cracked

gaps

hard stop

I hear 
breakage

I cannot look

anything there
still running

right
won’t be running
long

a failed machine
is such a common machine

I am full
of sand

I am
that common


Early To Rise

I take a moment upon rising
to adjust my Whiteness
for the coming day.

Set the beard straight,
suppress irrelevant facets
of my core being, put on
the palest face I have.

I’d turn on 
the television
for background noise
as I fetch coffee
but I’m so damn tired
of Europe and its tropes.
Sick of Thor and Halloween, 
the fat man in the red suit
for equinox 
ritual. Sick of Jesus, 
sick of Karl Marx, sick of
donuts and latte, 
grand theft disguised
as industry, the right way
to walk, the proper way
to talk — 

I have so little of who I am
beyond that,
having been robbed
of most of my Other before birth;

after, found myself pummeled 
with family expectations
and contrary exhortations,
explanations as to why,
in spite of my White body 
and White schooling
and White Messaging,

I’m still Other and
don’t ever
forget it, son, said my dad
who tried not to forget
the little he had left of 
his Other.

Don’t ever
forget it, son, said my mom
who had set herself up
for never quite loving
her Other. 

Don’t ever
forget it, kid, said the members
of the family who couldn’t
forget it either though
they did not quite approve
of Other.

Before the year begins
I take one more moment
in the mirror
and there is all that Whiteness
spilling out of my pores and 
look at that hair and
diabetes and depression and
loveless moving through clients
and taxes and worry and
face it, I’m too near unto death 
to change; maybe it’s time
to just fall all the way into the bleach
since when I strain to hear my Other,

most days all I hear 
are gasps and screams
in a tongue I can’t understand.

They tell me
the source of my Other
met the source of my Whiteness head on
over 500 years ago
and did not win then but 
oh, it survives in me

in spite of Jesus and Thor and Marx
and John Maynard Keynes and 
white sale linens pressed hard over my face,
in spite of 
the Vikings and the chiseled superheroes;
the way they wear their hats;
the way they kill low-key.

No, I say as hard as I can, no, Europe;
no to your culture and your counterculture;
whatever it offers
I don’t want any more of that — 
I am Other. 

Except I’m Whiteness.

Except I am Other.
Except I’m not.

Like petals pulled
in that kids’ game —
love, love not,
embrace, repel;

I bet that game 
of destruction as play
came 
from Europe too.


Rising Now

rising now
you are 
leaf upon wind
lifting you
from where
you’d fallen

you dip and whirl

how can you possibly regret
losing your grip
upon the tree
that raised you

when this is how you are now
for however briefly
this last flight lasts