Got a mean streak
when it comes to
self-preservation.
I approach hazards
with a megaphone
and holler, “Yes, Yes,”
then plunge ahead.
No hesitation,
no measured response;
just drop everything
and jump from
every edge
that presents itself.
No matter
how long the fall,
no matter how sharp
the rocks at the bottom.
No matter who’s watching.
Someone has to be watching;
if no one’s watching,
how will I know
the perfectly wrong thing to do
when every foolish act
has always felt so much like
worship?
Seek wisdom in my wreckage.
What brilliance may be found
in the twisted mess of my life
as if this crumpled random
were as planned as any sculpture.
The splatter
at the bottom of the cliff
can be read
as Rorschach for now
or as divination, a painting
of the future;
I give myself to that oracular mission.
As for those times when
I play an ordinary man
who puts on pants in the morning,
goes to work, comes home
tired, secure in
his living?
I’ve got a mean streak
when it comes to him.
He’s adequately
successful and not at all
troubling,
poor thing. Messing him up
feels like a service,
like art, even as he passes,
screaming, into the void.

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