Monthly Archives: November 2015

Reserved For Those Who Remain Neutral…

The hottest places? No.
Even Dante knew better —
he never said this.  

The cold places — the ones
where a candle
in the crisis wind freezes
into a red icicle of pointless pose —
that’s where they belong. Can’t you
hear them sniffling about,
wriggling on the fence?

Those of us
who cannot cease raging
and roaring —

we may be wrong,
may ultimately burn in the fiery levels
for what we believe or rise 
toward the glorious sun — in fact
we may not believe
in heaven or hell but
we believe in heat; maybe
because we were born to it,
maybe because we were
schooled in it, maybe because
it found us and we survived —

however it happened,
b
urning

is all we know.


Refugee

was grown in an oven

they named me 
residue
ash for short

once swept out of their hearth
was tossed
left traces on everything

was born again in a dustbin

emptied into 
a heap on the curb
blew around a lot

they called me mistake and
stain
though I answered to neither saying

ash, ash I am 

holding a little heat but not to
smolder
like a resentment

would prefer
to warm a garden
blend into fertile soil

unhated 


I Am The War

It’s not my problem, I scream,
not my sad planet to save anymore.

Let others do the work of salvation;
I’m not going to be here long enough

to bask in any light
from a saved world, and in truth

I don’t believe in its salvation:
at best that’s a dim light 

everyone’s scrambling toward.
Again: this isn’t my job — 

I’m over halfway
to my own last days.

I’m mostly racing the darkness
to see which of us falls first; still,

the bedraggled world
keeps coming 

and begging for me
to ease its suffering,

even if just a little.
Did I stutter, I wonder,

when I asked the world
to let me off its hook?

Maybe that was not a stutter.
Maybe that was my voice

pushed through a shiver; perhaps
I have to consider other possibilities — 

cold as the wind is,
perhaps I am colder;

if I am not the peace,
perhaps I am the war.  


Flowers And Trees And Love And Such

Flowers and trees and love and such 
are ours to freely discuss, 
are what is
allocated to us.
When we add a note

of concern or rage
at how each
is polluted or policed
or killed, they call us 
out of line. Sometimes

they call us onto
a firing line of our very own — 
enough, the Powers say,
enough, troublemakers;
you should have stuck to

writing of flowers and trees
and love and such
as they are and no more,
should never have sought or
assumed then proclaimed

connections to wider agonies 
and grander ecstasies — 
damn all you poets.  Stick to
pretty wordcraft; leave
the statecraft to the State.

For us to be of
soothing voice and
half-sound mind
is all they ever ask
of us; anything we choose

to carry or inhabit or disrupt
beyond that,
any words for the choices 
we fight for or against, anything
we choose the words to nurture, 

is ours alone, and we are
too frequently alone
with language — the machine
that makes truth happen.
We can’t turn it off, even if we die

by its churning. We can’t do otherwise;
seasons, rain, flowers and trees
and love and such ask us to speak for them.
We can’t do other than we are asked.
Even if we die. Even if it kills us.


Returning Home

I bend back to this work
after days of fire, my feet 
gray with ash; swear that

these tracks, these
proofs of memory, will be more
than grief’s dust, more than tracings

of what was, instead
will become maps, urgings,
soil in which to grow — what?

Sustenance? Tinder
for new fire? Not my place
to know; I bend back 

to work, always
to Work — mindful
of Fire, pushing off

my own need to Burn.


The Face In The News

This face, exemplar
of no remorse — its
pale nerve-laced skin
twitching, its stare, 
its thin, sharp nose; 

that fear
in those hollow eyes

brimming over,
spilling onto those lips,
flavoring each word they spill 
with hate
because 
fear becomes hate 
when exposed
to open air,

and once fear
flowers into hate
it cannot 
easily unbloom
and furl 
back toward
innocence

from that urgent, ugly
canker-state:

fear
turned to hate dares 
not regret anything
as doing so may expose
how little it ever had to fear
from the beginning — hence

this face, exemplar
of no remorse with unrelenting
stare, almost as if a mirror
were before you unblinking,
but that isn’t your face
in the news — 

it’s something
at once more unsettled

and unsettling:
a face that could be

any face, a face grown
so commonplace

you almost don’t give it
a second glance.


Brochure

Welcome to
our homeland 
where all roads
lead to shops
that sell tinctures
of mist and mistake
in flint glass bottles,
formulas made
to be sipped
from silver spoons
long tarnished
with foreboding;
where every house
has a cute front door, 
sweet curb appeal,
and a back door 
to an alley, 
a one way street,
or a dead end; that door
is the only exit
once you’re inside;
to be certain of which
you are stepping onto,
read the signs —
how foot-beaten
does the pavement
appear to be, 
how far does it extend 
among these close built,
dim windowed fortresses; 
you’ll have to
walk it regardless
but good to know,
good to be forewarned; welcome
to our country
full of schooling
for jobs and careers,
shootings and padlocks,
schooling
for debts and 
mad sorcery
over the checkbook
once a month,
schooling for
holding patterns,
crossed fingers,
sweaty sheets,
the fevered terror 
of the wolf at the door,
the hijab in the coffeehouse,
the ghost bonfires
of noose and cross
still throwing heat;  welcome
to the place where, 
if you have to go there,
you go there —
they want you
to call it home
whether or not they
take you in; stay — 
you can always
be decorative
somewhere
at the right time of
the year.


What A Squirrel Means

Originally posted 11/29/2010 as a revision to a poem from 2006.

A cat has caught a squirrel,
left it wounded and choking
on the neighbor’s lawn,
and I have come outside 
to stop the noise.

I chase the cat away:
he does not go far, watches
as I bend over the small body
then step back; the squirrel rises,
tries to climb the big maple three times,

getting no farther up than four or five feet
before a clumsy tumble
into squirming among the exposed roots —
panting, squeaking softly
like a balloon
losing air.

This ends at once;
I am glad my knife is sharp.

The cat is still watching, 
waiting to attend to this kill
that once was his alone
and now must be shared;

back inside I wash the blade in the sink 
for ten minutes under
the hottest water I can stand, 

then do the same
with my hands

that believe they have just
done the right thing 
yet just as rightly
cannot stop shaking.


When We Were In The Cult

Originally posted 6/23/2010.

When we were in the cult
we didn’t get much sleep.
It was said we didn’t need it
so we learned how not to need it.

When we were in the cult
words had different meanings
that seemed a little off or wrong 
but we understood them soon enough.

When we were in the cult
we slept with everyone inside
and made a lot of noise about
how outside ought to do the same.

When we were in the cult
everything that went wrong
was caused by something we’d done.
There were no accidents or errors.

When we were in the cult
we didn’t call it cult.  We called it
“being there.”  We slept when we could.
We worked a lot. We fucked a little.

We tried not to mess it up
by thinking
or saying or doing

things we shouldn’t. 

When we were
in the cult,
it wasn’t hard
to be in the cult

as long as we didn’t think
we were in one at all.
As long as you keep saying it,
it isn’t bad at all.


Door

any open door
that can be closed and locked is
a good advisor

in the moment when
it snugs into its frame
I learn what I need

about safety and peace
achieved through insulation
from the other side

(no matter where I
make my stand I stand behind
or before a door)

 

 


Pressing Forward

Where I am
is standing still,
facing forward.

A seeming windowpane
separates me from 
the next place I should be:

I poke it with a single finger
then press on it with first one
and then both hands.

It bends, does not break,
warps and distorts but
will not allow me 
entrance

but I keep pushing…
it’s sad, or it feels
sad. It’s not sad
in fact, it is just a matter of
fact that

it takes a long time
for such a barrier to yield
and one must push
and push and sometimes 

kick 
to break it. To break it
and step through

to the new life that I think
will seem not much different
at first — it looks much the same
over there, but that light…

imagine
how my familiar things

may look in that light:

some dingy,
some more lovely, some
likely revealed as utterly
not what they once seemed.

For all that may be possible
over there

I keep pressing, poking,
gently, strongly; I keep 
pressing forward.


Ragged Lamb

Originally posted 4/23/2011.

Ragged lamb, 
high rock.  

False thunder —
perhaps guns far off, perhaps
a tin roof falling in close by,
somewhere I can’t see.  

That poor lamb,
matted and filthy, bleating
in fear and pain, scared perhaps
by thunder in a blue sky. 

I scramble
to catch her before she falls off the edge 
into the ravine below, but I fail
and she falls — but doesn’t.  

Instead she hovers in mid-tumble
as if held up on a thermal,
as if she is no lamb
but a falcon.  

She is in fact now a falcon,
her claws extended toward me
as if to keep me
from attempting the rescue
that’s no longer needed.

To hell with finding music to speak of this; 
to hell with perfect rhyme
and set meter in the telling.
I’m no singer of mystery.  

That ragged lamb
fell, did not die, 
became a falcon
threatening to tear me up.  
There is thunder 
that is not thunder, 
a miracle that feels foul to me, 
feels unbelievable — but damn, 

it was a real lamb,
is a real falcon, 
a real cliff,
a moment
that feels real

here on the edge
as I wonder 
which article of faith 
in my narrow world
I should risk losing next.


Love Poem For A Wound

It appears
I have been shot again: 
silently as always, 
from afar as always,
with an ancient weapon
as always.

When an arrow enters
it breaks a path for blood
and for pain
but also for perfume
I forget I have within me
whenever I am between
such wounds.

I settle with a shiver
to my knees — calmer
than last time it happened
by a small degree,
gladder than last time
by far;

savoring gusts of 
lemon and honey, 
cinnamon and clove,
I close my eyes
to await the arrival 
of The Archer
who soon will come to see 
what has been
taken this time.

Soon enough the work will follow:
the work of kissing down this pain, 
binding this wound, helping me
to my feet, raising me to full 
height, pushing me to walk on changed 

and no longer alone, together
breathing 
night-garden air.