fearlessly
bedded with
relaxed into
encircled by
moistened on
succulent
tumbled and tangled
tossed in cotton
slumber on
sleep among
awakened with
repeating and
improvising
expanding and
falling captive
falling into
fearlessly
bedded with
relaxed into
encircled by
moistened on
succulent
tumbled and tangled
tossed in cotton
slumber on
sleep among
awakened with
repeating and
improvising
expanding and
falling captive
falling into
observe this clump
of recalcitrant cells
sitting up in bed refusing
to do what biology insists upon
and die —
what arrogance
that it won’t just roll over into rot
considering all the insult
it has self-inflicted
in its lifespan —
why it’s even
trying to get more sleep
learning to de-stress and rest
seeking better nutirition
it has even stopped smoking —
this looks remarkably
like a disease called by some
hope —
what we know
of the habits
of such colonies
is that when hope manifests
it is always
aberrant and short-lived —
still
it produces a glow in the cells —
a phenomenon
that may have some
adaptive advantage
as on rare occasions
it is strong enough to illuminate
a small enclosed space
we would have learned much earlier
that riding each other
is THE way to get closer to Home
we would have made you wings
that would have lifted
when spread against time
wouldn’t have given you
so little pocket room
to hold relics for the journey
would not have had you waste time
learning to pray
and would have had you learn more
about singing instead
if we had known
we’d never have left you here
to deal with the night’s sadness
and love’s meteorite scars
we’d have raised you right
we’d have raised you to escape
You don’t want immortality
without permanent youth.
You don’t want permanent youth
without perpetual novelty.
If you stop being surprised
by the world,
being young will get
old. You will begin praying
for death, and nothing
will be able to console you.
So — be thoughtful
before you ask me
for the wishes.
I can do so much
and little more. I cannot
make you happy, really.
Blood
on me pants
Me warm in the sun
Me waiting for the sirens
Me saying it’s a good day to die
A good day
May be me die today
Maybe not
but in the sun it’s warm
and me head feels pretty darn
good — a little balloony of course
with me blood all over
Me never saw the car
or may be it was a truck
A good day to die by truck or car
Who knew this — no matter where you die
you end up in San Diego
May be it’s Boston I die in
but this is sure San Diego I see
Me with the blood all over
and warm in the sun
I missed this
all these years
Glad to be back
Half unmanned while young
by a misadventure,
I have shoved my way through —
surly, highly aware, knowing
that one deft blow
to my remaining grape
might change everything again;
the first blow left me childless,
a second might leave me
with nothing at all.
Since then I’ve covered up, walked tight,
faked more man than I felt;
packed heat, packed a knife,
packed it in and away and off to safety.
Come for me knowing you will not get
one whole man. You’ll end up with half
and a machine, one built to run
on loss and fury;
one built to fight back, posture
and roar like a warrior, a man
with everything in place. (And even as
I say that, I know how much more
is missing from me
than is missing from my body.)
After
fire, ash. Warmth
under, pale wisp-paper
above, all blown around.
After
flood, muck. Damp
all the way through,
deep and sucking, holding fast.
After
love — what? Call that
what? That hot bog
that won’t let you go?
After
love, then? Call it
nothing. Don’t name it.
Fire, flood, ash, mud, and enough.
1.
When people hear I’m a poet
some expect
that French hummingbirds
will fall from my mouth:
flashing
subtleties, gems
suspended
on a red string.
Listen,
I want to say to them,
It’s not going to shimmer like that,
not always. Sometimes
there are no hummingbirds —
isn’t a Chicago robin
doing its drab and wormy job
wonder enough?
2.
I won’t lie — seems sometimes
that I’ve got
not just birds but
a whole game preserve
inside me. Being the host
of a whole wilderness,
even the ugly parts —
that’s apparently important enough
that it’s become my vocation.
3.
If you want to know
what poetry I have in me,
three things to recall:
one, among the instantly arresting lovelies
there will always be some
hideous and
some so plain you will not see them
at first;
two, among the plain and ugly
there will be some venomous and
some that heal —
and there will be the same among the beautiful ones,
of course;
third,
whether peacock or slug,
three-legged dog
or most unexpected
unicorn
(yes, unicorn: not at all
precious but terrible,
you’ll see),
recall,
I beg,
that I
have to live with them.
I’m their shell, I am the walls
they loathe. These aren’t
pets. They don’t love me.
They growl, claw,
bite.
When people hear
I’m a poet,
they need to be prepared
for all the blood.
Describe the last time
you ate something
you killed yourself.
Use words of three syllables or less.
No more than twenty lines.
No use of the definite article.
If you haven’t yet killed
and then eaten something,
you’re not off the hook.
If all your food is killed by someone else,
if you could never and have never,
you are not off the hook;
even If you object on moral grounds,
if you do not believe in killing,
if you are the vegan of all vegans,
you are not off the hook.
If this poem offends you, if these instructions
offend you, you are still not off the hook.
Describe, instead,
the last death that helped you
to sit there, hearing this, reading this.
Who died to bring the rare earths
to your phone? the oil to your car?
the compassion to your face?
Whose departure left you so wanting
and desperate that you swore a fool’s oath
against the necessity of death?
Use words of three syllables or less.
No more than twenty lines.
No use of the definite article.
Think hard, pure soul,
gentle soul: who died
to get you here? What hand
did you have in that,
even if it was unconsciously given
by the fact of your birthplace and time?
No more than twenty lines
on how you have never, ever,
been more than an hour or two away from food.
There are times
when I want to mash a nose
with my fist. I don’t ever do it,
but I want to, and I refuse
to say I do not on occasion
want to.
There are times
when the face I am longing to punch
matters, times when it
does not. Times when I see it clearly,
the whole punch, the spray, the tumble;
other times when I can only see
my wind up, my cocking arm.
There are times when I am righteous
about the target and the choice of blow
before I swing
and times when I just want
to smash a cheekbone, anyone’s really,
and explain it away afterward to a crowd
who will sympathize and agree and no one
will do a damn thing to me
and untouched I’ll head on back
to the enviable noir lair I call home.
I feel the blows coming up
from my balls to my hands
and I want to mash a face.
I never do it. I just want to.
I don’t know why this happens.
I keep it to myself, mostly.
But not talking about it at all?
Keeping it under wraps, away from
polite company, my social
networks, my political discourses?
It feels like a swallowed horse
bucking in panic. Feels like
the highway rising up and down,
a popular ropes workout. Feels like
Godzilla’s come a-rolling.
Feels like I’m going to
mash a face and not
stop
there.
You quote a proverb,
“The wet heart does not burn.”
I say,
“I’ve never heard that one.
Let’s put it to the test.”
We draw straws,
I cut my own heart from me
and toss it
into the already roaring
woodstove.
Several hours later
we open the door and peek in.
No sign of the heart,
but the walls of the stove
are caked with a tar
neither of us has seen before.
“Does that satisfy you?
How does it feel to be right?” you say
as you turn away
and start to pack.
“But baby,” I shout after you,
“baby,
I was just curious! I was just
curious!”
Afraid of what I’m seeing
out the front window:
a cloudburst
each drop
nearly the size of an egg
and smelling of sulfur.
Eggs falling from the sky,
exploding upon impact.
Of course, half the smell out there
is likely coming
from the bodies of the dead.
I would say this is all a dream,
but I am fully awake and clothed
to go shopping.
I’d be out there already
were it not for the fear of the rain
that in spite of its volume
has not wet the street at all.
And now, I have to say,
the dead have vanished too.
This is perplexing,
terrifying…
perhaps
this is prophecy? What day is this?
What’s the date?
Maybe it’s all from some drug
I don’t know I’ve taken?
Yet I feel one hundred percent
normal…
maybe this
is what normal is going to feel like
and I’ve surrendered?
Maybe
the lack of devastation
is in fact
the illusion?
dear joe,
please,
i want to come home.
it’s very bright here.
the food is good,
the water’s clean,
the beatings are
practically
nonexistent.
still,
I want to come home.
dear joe,
there are no locks on the doors.
we come and go as we please.
we wear what we want.
dear joe,
i want to come home.
they keep telling me I am home.
they keep saying they love me.
they keep calling me a name
and claiming it’s mine,
but it’s not mine.
dear joe,
I apologize for the informality
but I find when I use
your preferred name
nothing happens.
it’s sinister and puzzling how
you aren’t answering.
I want to come home
and you’re not answering.
nothing happens.
maybe home
is wherever you end up
when you reach your limit
on answers? when stuff
stops happening?
dear joe,
no matter.
if this is home,
supposed to be home,
make it feel better,
I beg of you,
please.