Daily Archives: May 29, 2011

Sunday Morning Blues

Loose, lonely. Sunday morning,
I never go to church. Don’t want
that stuff at all.  Put the blues on
instead — devil music.  Good for
what ailed you last night.  Good for
a bit of the hair of the dog buffet
soundtrack.

There was a fight I remember, 
a drink or nine, a big tease, bad late food.
Blues night means a blues morning.
Different blues though, no dancing
or hip swing; sit around on the still ass
and be loose, lonely, alone.  

Stop
breaking down, song says.  Stop
breaking down — hell knows I’d like to
break upward but it doesn’t work
that way.   I’m no wave
hitting a cliff.  I’m no uplift fan
and I don’t need a Jesus to call me
to rise again.  I’m used to resurrection
on Sundays.  And I harrow Hell
on Saturdays, so a bent note feels right,
like the plow hitting a rock or bone
in its passage to make a fertile ready field.

The Gospel isn’t all that clear
to people like me
who rock between good and bad.  
It calls us,  but it calls us all sinners.  
I’m no sinner, Jesus, you nag.
I’m just loose
and lonely, trying to finish up this world clean
on my own, maybe catch
a few more hours of sleep
before dark at some point today.  

The blues is devil music? No,
this is surely some God-promised lullaby singing to me:
things are tough, tough for all,
a little music gets you through it,
and damned if a blue note doesn’t feel firm
and easier to hang onto
when you get it between
your filmy, Saturday night teeth.
Good for what ails you.  Hair
of the crossroads dog, if you ask me. 


Shape Of Legacy

Legacy
communicates
through being
entirely what it is:
it has no need to speak
of itself, it does not need
interpreters, it has no desire
to be explained, it stands there 
and says nothing, maybe it beckons
a bit, but no more, stands there mute
demanding nothing except acceptance, 
contains revelation, offers complexity and
shadow along with illumination, tells no story,
the pyramid of its existence is its entire message,
complete, allows entrance without a map, is sturdy, 
is cool to the trembling touch of those who would know more
but will not reveal itself unless they are willing to climb it as it is
from broad base to tip-top view down over what has been scaled,
and then it waits for them to say how terrifying that view is, that they’re
unworthy, will build their own with this knowledge – but first, they need to come down.

 


Release: The Charcoal Prisoner

You allow the hot stream in you
to tear open trash dams  
and pull blood
out of your clogged
and rubbery vessels —
emptying the blue highways that carry flow
back to the heart, the red arteries
carrying flow away from the heart.

Let it speak as it wishes, let the stream
attack and defend, define defilement
of what’s expected, chide the correct,
offer comfort to the addicted
and perpetually unjustly wronged.

This is how you learn
that what is permitted is also
somehow most forbidden in most places:
the undressed and messy view
of the charcoal body
of a prisoner newly released from fire,
the taste of that same fire in the words
once tangled and now unraveling
out of your head.

Let the stream pour from you
into the dirty streets, your blood
and delicious delirium
spreading and pooling,
staining everywhere as redly
as the insides are stained;

let it reveal the truth,
the large Truth
without compromise in image
or substance…let it show
what has been trapped inside you,
the charcoal prisoner’s body
that is now a gray covenant
between you and the jailors
that you’ll not shut up
at all, ever,
never stop accusing them
of negligent surrealism,
of imposing a small outside world
that imprisons the immense inside world
until no one can believe in it
or begin to understand it
without speaking, however poorly,
of how hot it is in there… 

 


Awake

“”Awake” will appear in the Winter 2012 issue of Amethyst Arsenic, www.amethystarsenic.com.”