Monthly Archives: February 2011

Mars’ Love Poem

I would like to write a poem
full of butterflies and rainbows
and chirping, and I could dedicate it to you,

but instead I write the poem of love
that is industrial, that steams and clatters,
is filled with tiger blood and red-eyed anger

because I do not believe in love as beautiful
gentle sweetness all sparkly and whee,
I am the Lover who sees the war of charmed claws

and raking fire as more beautiful,
who understands that an ever-certain pain is better
than an uncertain ecstasy that may end

with a whimper and a good bye folded
into a card and a bundle of soon-dead daisies.
I roar the love like Charlemagne’s armies

sweeping back across Europe, of Crazy Horse
raising his rifle to sight in upon the usurpers,
the love of how I am when I’m bleeding in your arms

and you are bruised in mine because that is how
we sleep best.  I would like to write the poem
of pastel and lace, of average joy, of something suitable

for a movie theater full of easy children, but I’m the poet
of loveflood come a-carrying corpses
and the ruins of lives, of animal stink in the street

when the water sinks away.  I want to be the obvious
but I am the other, as you are the other, skin soft and flushed
fury, teeth at my neck, deep in my flesh, roll me like

tobacco to be consumed.  I want your poem to be
the pen tip’s open gush of too much to take, and I want to handle it
the way I barely handle the massive storm of us.

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How I Know I Am A Hater

I’m hating.  I’m a hater.
I drink all sweet though a bitter straw.

Whose face is this?  I don’t know
this face.  But I’ll kiss the mirror a bit

and see if I feel it.  Birdsong
out the window: forgotten.  Tree budding

under the snow: forgotten.  I can feel it,
the kiss on the mirror.  All I can feel

is the response of the screwed face.
The sweet through the bitter straw

sliding up from the dirty glass
then down the strangled throat: whose face

is that screwing me?  Laugh a little.
Birdsong, forgotten, tree budding,

all forgotten.  Screw me, face
full of sweet bitters.  I’m a hater

if that’s one in the mirror.  Myself
I speak a little to the incongruous

nature of the tree and birdsong
so easily forgotten, though they always

bud and sing no matter the cold
and the bitter.  No matter; sweet

tastes bitter, I’m a hater, kissing
my mirror, screwing my own unfamiliar face.

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Wooden Spoon Epiphany

Given enough attention
to pay with, one can find
the universe in a wooden spoon:

how material is shaped to an end;
how the resulting tool
still recalls and is clearly
still connected to its material;

how the tool builds new worlds.

One can wield the tool.  One
can be the tool. 

The tool can break,
be discarded, become fuel
for new materials for dark or golden
ends. 

Given enough attention
to pay with, one can find
anything in anything. 

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People, Can You Please Clear The Aisles?

Look
I’m a working man
I took a job in concert security
just to see some shows and
make a little pocket change
I’m just like you
so please stop making my job
so difficult
I’m a musician myself
I want to rush the stage myself
but they pay me to be calm
unless I need to bust your head
and I will do that
even though I want to rush the stage with you
because they pay me to
and no matter how great that solo is
no matter how much I want to be carried forward
on the wave of sound
please can you clear the aisles
so I can go home tonight
without having busted a head
and thus souring myself
on concerts forever

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