Let it be,
McCartney sang,
but then he kept going.
Perhaps that’s what he meant by that.
I always liked the version of the song
that plunged into distorted guitar,
as if there was an edge
hidden in the just-revealed blessing
that needed its own unveiling
before the song returned to its sweetness.
That was John’s doing,
or maybe it was George;
I suppose it could have been Paul’s choice, or Ringo’s suggestion;
I’m not at all certain of anything.
All I know is, I try to let it be
and find myself going on, feeding back,
breaking up in the aftermath.
I suppose that’s my choice too.
I suppose I let it be what it is.
If the sound of trouble set aside
is that shift from soft glory to hard,
sharp breakage, then I shall let it be
and sing on
while waiting for the one to follow the other.

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