Daily Archives: November 5, 2010

Gazelle Ghazal

As I dozed off a famous comic appeared to me, holding a baby gazelle
and suggesting that if I took it and cared for it, all would be well.

I lifted her from his arms.  She trembled as she slept; dreaming, as I was,
of the plains of her birth.  She dreamed of running, leaping, living well.

Just a hint in her quaking hide of thoughts of jackal and lion.
A hint that she remembered her lost mother, but in her dream, all was well.

The funnyman was serious for once, no hint of laughter or a cynical eye.
“If you can keep it, keep it wild and safe at once, you’ll be doing well.”

I asked him then, “How can I keep it safe and wild at the same time?
Is this a joke?  You confuse me with this, and scare me as well.”

He locked eyes with me.  “Laugh if you want; I joke about things
that matter.  If you find this scary or strange, consider that well:

a certain amount of fear for that edge you’ll walk is the price of caring.
The steps you take with her should scare you, and you would do well

to know that only by sharing her trembling will you understand
that her path is long and hard, and yours must be as well.”

Then he vanished, and I woke.  The night was not over, not even close.
I tried to sleep but thinking of what this meant kept me from sleeping well.

My broken sleep echoed with his final words: “Tony, this dreaming gazelle
impels you to leap though you know the danger, if you would be well.”

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Fable

Once upon a time

there was a stalk of wheat
that could speak. 
It had a story to tell.
It grew up whispering
of its future as bread,
and when it fell
before the reaper,
before the winnower
and the miller,
it carried its whisper
into the flour and the dough
and the bread
that was soon eaten
by a hungry child. 
The child grew up
with that spare voice inside,
listened to it whisper,
but never let anyone else know.

The child grew
to be an adult, aged,
then one day fell silent
before the gray press of age.

It so happened in those days
that a traveler stopped by the roadside
near where the wheat had once grown
and the once-child had just died.

The traveler
sat down to rest
beneath a tree. 

He grew hungry
for bread,
and approached a small house nearby
to offer a few coins for whatever
might be offered.

The house was abandoned,
but on a table in the kitchen
was a loaf of golden bread. A knife
lay beside it, and the traveler
took up the knife to slice the bread.

A thin voice spoke and said,
“Name this bread Isaac
before you cut.”

The traveler was not unlearned
and knew that voice, knew its story;
also knew that while there was a reprieve
at the end of the tale,
one could not count on that happening
twice. 

He picked up the knife
and shouted, “Isaac, I adore you!”
as he cut deep through the crust.

As he ate,
in a field
many miles away
a new stalk of wheat began
to whisper and grow,
and a weaning child
began to cry for bread.

Moral:

Stories have a way
of finding the thread
they most desire,
and someone will always arrive
at the right moment
to complete it, to change it
and carry it forward,
even when it seems
that the tale will be lost forever.

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“Welcome To Your First Corporate Job!”

It may seem foreign to those who stay at home
and practice their bliss behind closed doors,
but not to you.  The Anaconda Priesthood welcomes you
behind its curtain of jewels and whole cloth

to the church of fascination and deceit
and imminent if not certain death. 
You may stare at each of them (it’s
expected, of course) but not for long,

and do not lock eyes with any one of them
for any length of time, as that will be seen
as an offer of self-sacrifice.  You’re used to that
of course, thinking that time spent

in your bargain basement occult gatherings
has been preparation enough.  Not even close,
novice — those teenagers didn’t have a clue as to
the nature of true menace.  These snakes

mean business, longing for meat
as fresh as they can get it, and you’re
looking sweet and fat.  But that’s what you
came for, of course; here’s the good danger

that you’ve only sniffed at from afar.
There before you, in sharp suits
and big, big bloodlust, sit the serpents
you’ve always wanted to be: their eyes,

their supple lies, their mechanical
calm and unhinging jaws. 
You think you’re ready?  You might be
if you can cool your blood and head

and keep them cold.  Look at them,
fat and ripe and old.  You believe
in every hiss and slither, and your own eyes
are narrowing as you smile back.

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What Needs To Be Said

You were right
to run
from

the mama and the papa
who learned far too slowly
how to right things born wrong

Old nuns
hunched in classrooms
spouting hydra teeth

Thick handed
bosses who offered
honor for slavery

She who was right
for a minute
and stayed for twenty years

The angels who
beat your moods
up and down

That was all long
ago
So many coats and bruises ago

You could stop but
you forget how to stop
They are all still behind you

How are you to blame
for there being no home
that could protect you

And you agree for a moment but then
you say
You could have built such a place

and should have
You knew how
Read enough and knew how

The sick is not excuse enough
The fear not prod enough, apparently
No pride enough to drive you to the effort

So now you are going to pay for this
Glad to pay off the shame of this
Only way to gladness after all of this

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Choose Your Weapon

Choose hand grenade
or horseshoe
if you want to speak
of love to
just anyone. 

If you want
to talk to me, though,
use the longbow;
practice a long time
before you draw;

I’m no broad target
to be bludgeoned
or shattered by
just any old effort
if you want me.

My heart’s small,
tough, and exacting.
Aim carefully and be sure
to still yourself.
You don’t want to shake

when you release
the arrow.  You don’t want
to miss, I don’t want you to miss,
and I don’t stand still for more
than a breath at a time.

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