Monthly Archives: October 2010

Instances

In an instant from now
a woman will start to tell someone
her life story,
not starting at the beginning
but with a carefully chosen anecdote
she has used many times before
to set the stage for all her other stories
she has to tell
but which will have to wait
for another night.

In an instant from then
the person she has chosen to speak to
will tune out and focus on
something else, perhaps because
it is uncomfortable to sit and listen
to such things, perhaps because the story
is unbelievable, perhaps because
there is another person that makes more sense,
or because the tattoos on the teller are silly
and distracting, and the storytelling
will seem all for naught.

but in an instant from then
another person listening
as she tells the story to someone else
is going to realize how empty
this life has been
and make a silent promise
to begin to fill it
as soon as this is over.

Every instance,
a connection.  Every following instance,
a connection.  Every connection,
intended or unintended,

the destined connection.

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Sunstroke Or Intimacy?

definitions are
a poor coolant
for this shared
inhalation of flame,
this exaltation that
may yet kill
or at least thicken blood
until thinking stops;
no reason left to use,
so happily far from safety,
not in hell
as far as can be told.

it shall not
be named, then.

let’s just say we’re crazy with something.

let’s
just burn all the way through,

and remove
all our clothes
just to be sure.

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How To Turn What Must Be Turned

When they come for you,
when they take you down
or in, put you in the cage
or on the ground, slap you
or tase you or gas you,
call you their names
and steal your own —

when the consequences
come down at last
it may not be comfortable
or sweet, it will not be easy,
but you must recall

that they are slaves
to something — fear or safety,
anguish or tradition,
a past or a promised future.

It will not be easy
but it is the only thing
that may save you
from doing the same to them
when the wheel finally turns.

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Requited

In the haze
and the shadow
I still see you

Fall clouds its air
on its warmer days. 
I was told once
it was from the slow burn-off
of life from leaves. 
I don’t know
if it’s true
but it should be;

because those are the days
when I miss you most
and I feel myself burning away too.

And in the haze
and the shadow
I still see you

I’m no metaphysician who wants
or needs to have it all explained.
I’m just a man in the middle of it all
who knows the past is past and usually
lets it go, but who now and then
falls into thought about you.

Here’s how it was: you were here,
we were close, you left
and then you were past and gone.
I haven’t seen your grave in years.
I don’t need to see it to know you’re not there,

for in the haze
and the shadow
I still see you

and sometimes I’m frightened
but more often I’m amazed
that it seems no miracle
but natural as the leaf-smoke of autumn
that you’re everywhere at once.

Age has a way of sharpening your eyes.
Age has a way of letting you see what matters
without clouding your sight
with the need to understand
the immediate reactions of your youth;

in the haze
and the shadow
I still see you

and really, I am comforted
with the fact that I do not know
if you are ghost or delusion,
my mind playing tricks on me
or the binding of our unfinished business
to the season of its interruption;

let someone else decide.
All I know is there are times
(when there is no wind to rattle the dead leaves
that litter the ground, when the sun recalls summer
at the height of day) when I still love you
as I did, and

I see you
through the shadow
through the haze

and know that though winter’s coming,
for this moment we are still warm
and you’re here as if
you’d never passed.

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A Wish For Artists

Luck and love to those of us
who sweep the corners of our rooms
to catch the leavings and the discards
and make them into something new.

Love and luck to those who see
a moment as an eon in miniature
and then pull history from its passing
to capture what we all would otherwise forget.

Love and luck to those
swept up in words,
who know how difficult it may be
to step aside from the rushing day

and work to hold on to all that which happens
so swiftly that without love and luck
it would vanish unremarked: each morning’s small miracles,
each evening’s resignation to the fall of night.

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The Road To Damascus

Born already fucked
as if the poke and stroke
that begat him
had imprinted him

Born a lot of things already
Broken
and maybe evil
Perpetually behind the curve

Grown crooked
Cursed into a bad shape
His better angels locked down
Straining and failing to break out

And proud
So proud of his standing
That their straining was hidden in his ramrod posture
No sign of the struggle within

No one ever touched him
the way the angels could have
He didn’t care
and stood glowering at the doors of the church

Ready to walk in
But needing a moment to pose
before surrendering
to a knowledge

that even if this was not
to be his last stop
it was a step he needed to take
and evil-clothed as he was

he needed to take it dressed
as he had always dressed
Frightened and frightening as always
but mad proud that he had made it here

in spite of having been
born fucked
and perpetually
behind the curve

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Walking In the City

What is it now,
says Abner to Jeremy.
What has you making faces
like that?

It’s the sidewalk,
says Jeremy.
It’s not flat enough
for an old man.
You’d think in a city this size
they’d pay for flat sidewalks,
so many people walking.
But I trip seven times a day
on something.  And don’t get me started
on the trash.  And the boxes in heaps
on the curb?  Like a minefield.

They don’t love the old here,
says Abner.  But we didn’t either
when we were kids.
You want to sit for a while?  Get
back to normal?

This is normal,
says Jeremy.  No,
let’s walk a bit more
then get a drink or something.
Normal. 

Like we always do —
old men walking, drinking,
walking home again
somehow.

Alright, says Abner.
We’ll walk a bit more.

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Paying Bills At McGovern’s Liquors

Let’s start this by saying
she’s cute in that
wow-before-all-the-alcohol-you-musta-been-something
kinda way.

She’s ranting at Mrs. Bell
who’s doing her
good-natured-suffering-because-this-one-is-going-to-buy-something-eventually bit
from behind the counter.

The Ghost Of Cutie Past is agitated,
proclaims
“I’m French, German, Indian, Irish and
Russian.  I rule this earth.
I need my vodka. I have a princess suit —
I’m sensitive!  I could be
on Oprah!  I mean, I need my vodka,
why would they do that to me?”

Mrs. Bell rolls her eyes in my direction.

All I want to do is pay my cable bill
so I can have uninterrupted access to the Internet
and all the good shows on TV,
but right now
I’m beginning to reconsider
what I call a need.

As I leave, Mrs. Bell is saying,

“I know you’re angry, honey,
but honestly, they’re a business,
what did you think they’d do?”

The answer’s lost behind me
as I walk out the door
to my car and head for home.

I’m not drunk or stoned,
not too cold,
was never pretty so I’ve lost no looks to age
and wear,
don’t have a princess suit though I bet
I could get one,
and this is one sensitive half-breed
who knows he’ll never rule the earth —
but I’ve been there, friends,
I’ve been where she was, and
I’ve been where Mrs. Bell was, too.
I’ve asked the same questions,
and given myself the same answer:

How could they do that to me?

Why won’t Oprah call me, or someone

who’ll let me talk it out
and make everything better?

What, exactly, did you expect them to do?

Maybe I should have stuck around
just a minute or two longer
and found out.
Maybe I should have handed over
one moment of sympathy for these neighbors
bound to the eternal questions —

but the TV’s waiting,
and there’s a whole world of unmet friends
waiting on this
critical message
I was born to share.

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Sanity

It rolls off my fingers.
I do not get a chance to get a grip
upon it.

When it falls,
it falls soft,
does not break,
rolls just out of reach.

I cannot bend to retrieve it,
have no strength to pick it up.

I can see it
right there, just out of reach.
Intact, clearly mine,
ready.

But it rolled off my fingers
like drops of water,
like a ball dropped
into clumsy hands
that I never learned to use.

I have no faith
that I’ll ever do this right.

I try and try again
with these broke,
broken hands
that will not grip
or hold on. 

Tired
as Job, tired as
Sisyphus, scabbed up
and pus-bloody —
it’s laughable, really,
from any other viewpoint
but this one:

watch the clown
stumble through the fumbled catch
and fall down like
a cautionary figure
from the oldest tales.
Watch me thrill
to my own failure

then watch me get up
and bow
and do it again.

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Introduction to Modern Mythology: Film

1.
In a world of six billion people,
your soul mate will be right next door.

2.
War, while horrible in the macro,
brings forth the most delicate emotions from men.

3.
The addict, finally aware of her problem,
will cry as she swallows the pills.

4.
Loved ones with cancer
ennoble all around them.

5.
Nature exists
as a foil for hubris.

6.
Things beyond this world
conform to strict rules.

7.
When love finds you,
you will be unready for it.

8.
Animals are smarter than us
in all the important ways.

9.
The force of a bullet or a bomb
can bestow the power of flight.

10.
The rich are rarely as happy
as the poor, but you will be an exception.

11.
A neat ending is to be expected,
as is a lesson.  Things don’t simply happen.

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If There Is Love

If there is love
that will hold up,
it will carry a brown candle
and smell of sandalwood.

It will reach up to the top shelf
when asked and pull down
an old, soft-worn blanket
to cover up against November.

If there is love
it will not be blind, but in fact
will have uncommon night vision,
will be able to see through and around.

It will not flinch from weeping
at the horrid sight of failure
real or imagined.  It will seek
gold in ruined streams.

If there is love
it will have rough hands
when grip is needed, soft hands
when it is time to let go.

If there is love
it will be small, will find shelter
in a pocket and will travel unbidden
to wherever the journey goes.

It will have a face.  It will
have no need of a name
and will not come when called,
will appear before it’s called.

Love, supple crutch; it will not
do the expected when it is needed.
It will bend as you bend.  It will stiffen
as you stiffen.  It will not hold you up

but it will fall with you, rise
when you choose.  If there is love
you will know it is there
only if you do not feel the most lonely

when you are most alone.

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Big Game

Let’s hunt together
and plan to eat what we kill
and then kill everything.  Let’s hunt
like gluttons, like we’re going
stoned to the supermarket —

OOOh, a whole world meat aisle!
A planet of produce and snack cakes!
Give me the elephant gun, there are cookies
in Afghanistan I’m dying to try!  There are

some lovely cuts of beef in Luxembourg!
And if we work together, we can butcher it all
in the field without messing up our homes.

Field dress the edible population of the world!
We have nothing to lose but our hunger.
We can put salt licks on the islands
and make the deer swim to us

as we lie in wait, naked on the beach.
We can build blinds — hell, the blind
is where we live!  And let’s not forget
domestic production — some of those ghettos
and reservations and all of Appalachia
are good eatin.’  I’m itching to try the cuts
slow-roasted over a fire, right where we drop them,

and then we’ll have a little wine and a little dance,
something to tamp the full belly down;
it’ll help with the digestion, don’t you know?

Why did we make the flag so big and so colorful
if we weren’t supposed to use it to wrap up the spoils
of a good season?  All it takes is a little skill
and a big, big gun and we’ve got a bounty before us —
so let’s go hunting, you and I,
while the big red sun is nailed to the sky
and the biggest damn banquet ever
is still laid out on the biggest table.

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The Other Night

“The other night”
will be amazing
two weeks
or a month from now,

but today it’s only
a blue thread on the pillow
and an ache for more.

Marvelous time
that will not move too quickly
for fear of gently substituting
a too-eagerly desired nostalgia
for this necessary,
melancholy present, for

without today’s blues
how much less sweet
“the other night” will be
two weeks or a month
from now.

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Escapism

Love the West
as it’s painted.

The wind off the prairie,
the wind off the face of Crazy Horse.

The long false memory of lone wolves
under quarter-sky moons.

Movie, movie, movie.
Pulp book footing at the ford of a shallow stream.

Dirt main streets and families
stoic as props.

Something to rely on
when the spirit’s down

and that howl is a wolf
at the door.

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Questions Of Art

With this small pistol
I invite you to shoot me.
You are safe from repercussions.
I will press no charges.

Shoot me in the shoulder!

Is this art?

Some ask that art be gunless,
unarmed.  Well, I am asking you
to take an arm from me
and use it to take an arm from me,
so if this is your perspective
you can console yourself
by knowing that together,
we will be making art.

This is disturbing to you?
You don’t wish to help?

Or, it does not disturb you at all
because I sound like an artist talking,
speaking figuratively?

I assure you that I’m an artist
but I will not say if I am speaking figuratively,
or rather, I leave that up to you
and your decision as to what to do
with the pistol.

I could shoot myself on stage
but then, you’d bear no part
of the performance. Or a small part only
if you felt pain or fear for me,
or for yourself as I fired.

When is pain performance?
At what point does a grimace demand applause?
These are the questions of art we face tonight.

Here is the small pistol I promised.
Perhaps you have your own to use?
Please, take mine; it’s not traceable.
I built it myself.  Learned gunsmithing
just for tonight’s show.

At what point does this become insanity,
or some form of illness? I assure you
I was sane enough to learn the new craft
with great care.  The gun will not go off
in your hand by error.  It will require
your attention to go off at all.
It is not the finished product of an insane man;
my thinking is quite well-ordered.

“Shoot me” is also not my crazy thought
but a calm invitation, a willingness to take pain
for your educational and entertainment needs.
This is compassion and sacrifice.
How am I insane?

You may stand very close, if you wish,
if it will salve your fear that you may miss
and make a lethal error.  Press the barrel
against the meat…If you like,
we can clear the room so it’s just the two of us
here, intimates in shared creation.

At what point will my pain,
vicariously thrilling at one remove,
become worthy enough of your attention
that you will assist me?

No blame will attach to your choice
no matter what you choose to do.
But I have come this far for you;
how far will you come for me?

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