Daily Archives: September 2, 2010

With A Little Bit Of Luck

Cross my toes,
as my fingers
are busy worrying.

Wear an old clover
in my ear, buried deep
to keep the voices out.

Stick a whole rabbit
in my pocket, let it squirm
until it’s smothered and I can replace it.

Count the angels who won’t look at me
and the devils who laugh at them,
forget the count and start again.

Stab a dagger into my thigh
and tell no one of the hurt.  If I can
take that, what matters of the anxious flutter

of my stomach as I wait, wait, and wait
some more?  A little dizziness from loss of blood,
a little magic, a little forethought about the cliffs

that allow a man to leap into the void
and do not care if he flies or dies; I’m there
and luck’s the only brake I’ve got on my heels.

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Peace Talks

“The most immediate hurdle:
getting the two sides into the same room.”

That seems so obvious: I can’t even keep track
of which one feels more aggrieved

or which has more right to their pain,
as if pain was a fundamental right.

Then again,
that’s the fundamental problem:  that each side

feels its right to the title of victim
has been more compromised.  If God or anyone

knows how to tally that, he or she
ought to weigh in with something

everyone can agree on, a bar graph
explaining how much blood has been spilled

across the ages by the gallon, and have them
initial it, the way the doctors gather

and initial a body before they begin to cut,
claiming their territory, making sure they’ve got it right

and that nothing unnecessary happens. 
But that’s at the very least unlikely.  Instead the two sides,

drunk on anger and history, mistaking skin
for parchment and bone for flagpoles,

will likely slash with sharp pens at imagined borders,
then stand up thumping their chests

from the butcher block
to huff away into their bunkers and push pins into maps,

maps that will bleed again soon enough and spoil the carpets
in a safe room where everyone once gathered

ostensibly to heal faraway patients who, as always, will wonder
when they’ll ever be asked into the meeting room to speak

of a third side, the one made up of bodies
covered with mazes of bold initials and jagged scars.

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State Of The Art

In the XtraMart parking lot
a convertible Saab is bumping.
Don’t recognize
the rhyme or the rhymer
with the stuttering vocal
scratchy as blues era vinyl;
the driver’s buzzcut gleams
in the hard sun, and his sullen face
looks like the right costume
for this play.

On the restroom wall
a good sketch of a sad man
with dollar signs for eyes.
Underneath, a message
in a different pen:

“Bling is the medal you get for accepting your servitude.”

I shit you not when I tell you that Robert Johnson
is playing in a Mercedes at the pump
when I come back outside.

I don’t know
if he expected this
when he came back from the crossroad
and marveled at what he’d bought —
his lean fingers suddenly sparkling and thumping
across the strings,
terrible stories forming on his tongue.

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