Monthly Archives: August 2010

2010

That there is a matter of fact,
of any fact,
is not obvious.

That there is worth
is ruthlessly questioned. 

That chaos is our manacle
is not permitted
to be discussed among polite company.

That we once had hopes, good ratios,
explanations, heroes,
is not worth mentioning.

Are you sick yet from stories
of sickening eggs?

It is no wonder we admire vampires.

Are you romancing cameras?  Are you
booking trips, taking trips,
tripping on music? Are you
blue-fingered
from holding on?

We hide our marrow in our parent’s bones.

Are you yelling loud enough?

Our pockets are rusty.

Are you saying please and thank you?
Are you paying for what you always got for free?

Sucking on dry bones,
we must fall in love with whatever
seems as warm as blood.

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A Monster

Monster
is multiplicity of me — awkward me,
smooth me too,
ripped up me in claw costume,
clay head, raw meat eyes.

Monster Me drinks a little, expand
each bogeyman, and then all
see it, see me.

Each Monster is not
response.  I don’t answer
with me: Monster Me
doesn’t talk,
just stands scary —
animal leather-hand,
vegetation jaws, mineral
lungs. 

You gave Monster Me to me,
enabled me
with reasons
not to be shown off.
Made me these jungle desert
alpine scimitar teeth.  Made me
folklore legend leftover spooks.
Made me a book
read and tossed into a garden
on fire.  Monster Me, a pair of
clamps on a veined muscle.

A monster is not
mothered or fathered;
to be rather stark
it rises in a stand of
pointed sticks, sore,
and sleep
never a bed.

Monster Me, I am that —
all of that, all of them,
no me in there
I do not want to flee.

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Going Ape

On Monday
I acted like an ape —
frenetic, colloquially
“bananas” I guess,
though that’s too
pun-stark obvious;
Tuesday was sick sorrow
that bled into Wednesday’s anxious,
death-certain march into
Thursday’s despair
that became Friday’s joy
at the approach of safe Saturday,
and while the coming Monday
holds its own fears
it’s still Friday
so I’m going to dance
to something loud
and hellacious
from now until Sunday
when I’ll likely fall down
with my frozen head
stuck on Monday
and start the whole
ape cycle again
with the same flaming arms
and the same stuporous sense
that every week will be
forever the same.

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Bullets

Your choice
is simple: the bullets
will always fly, so you can choose
to be behind the bullet,
or in front of it.

Of course you could choose
to be the bullet
that is neither behind nor before,
that does the wet work
and cares not for choices
while faithfully doing its job,
but the whorl of your eyes
tells me that’s not for you,
so choose:
where will you stand
when they fly? Will you stand behind,
admit your love
of the firm trigger in your hand,
the sense of control, answers
delivered so swiftly?  Or will you stand in front
and admit your love for the bullets
and the guns, the sense of surrender
to answers received so simply?

You protest
and say you can always stand aside,
but tell me you truly believe
you’ll always be able to stand aside.
Tell me you don’t know now
where you’ll prefer to stand
when the whistle comes
to tell you the bullet is flying.

Tell me you think there’s a chance
you won’t have to choose
and I will show you
how the dirt below your feet laughs
through its long and heavy
load of blood at the thought of such a thing,
choking on elegies, recalling funerals,
mad men staring past the heaps of dead
before them, the bodies piled
and lined up for interment,
the old who will not speak
of how they chose to live
by standing behind the bullets,
knowing they could have chosen
to stand before but for their precious lives
yet unlived.

Tell me you can stand aside
from that giving and taking
and I will show you how it feels
to have the choice taken from you
and find that wherever you end up,
behind the gun or in front of the bullet,
you’ll feel like the bullet
has found you.

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Burning Books

Our pastor told us
that the books of the Devil
must be burned,
so we burned them,

and their released words
grew into elongated sparks
that soared from the fire,
small birds of prey
with flesh in their claws,
disappearing almost at once
once they cleared the sphere
of firelight.

We rejoiced then,

but some of us awakened later
from sweat-damp beds
with those birds digging at our ears,
trenching into us as they sought
the sour meat they knew
must be there.

We met next day
and told each other
of this in whispers
over breakfast,

leaving out the part
about how, just before we’d been
torn from sleep,
we each had had
a thrill ride dream

of marching feet
and whirlwind crosses
and satisfaction
at what we’d made together;

satisfaction
as thick as smoke
curling above
a chimney,
a fallen tower,
a pyre.

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Familiar

The animal you chose
to keep in that ring
with the secret compartment
is wobbly with hunger.
You haven’t fed her for years.
You forgot her.  You let her starve,
and now she’s bone and hide.
It’s time to open the vein
in your palm and let her drink
while you cradle her and tell her
of your forgotten love of her fur
and her wide yellow eyes, but she perishes
before you have finished,
and you are left agog with the shame
of having chosen and then
abandoned her.

Listing and bouncing from wall to wall
as you carry her out to the yard
you walk directly to a tree
and, laying her carefully beside you,
you begin to dig the hole
for her body.  You dig deeply
and the pile of earth rises beside you
until it blocks the stars,
which do not reappear
even after you’ve stepped away
from the mound.

She was so small
when she died.  Why this grave
needs to be so deep
is something you’ll think about
for a long time.

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Little Wing Blues

Playing my oldest guitar
on the couch,
noodling a familiar tune
while the fans whirl
and the sun shines
brightly, but not
brutally so; not too sad
this afternoon, glad to be
able to play. Yet
I fear this will end
before I learn to play
“Little Wing” as I want it
to be played, with it
coursing through me,
for when the song moves
under my fingers,
I do not move,
and that makes me fear
that time has run out.

It’s not a song I adore
the way I love a good old blues,
that storm that lurks
in every note, that sense
of chaos just beyond the order;
“Little Wing”
carries something else, the calm
after a massive blowdown,
a song to sing while sitting
with your head in your hands
on a massive fallen oak,
then look up and see the sun
bright, but not brutally so,
and a new clearing all around.

It’s not that I don’t play it well;
I play it well.  It’s not that the guitar
isn’t right for the sound I want; the guitar
is the right guitar and finds a voice
through the notes just fine, ringing
when it’s meant to ring, the high notes
belling at the right times; no, it’s not
that I don’t play it well or I’ve got
the wrong guitar;
I think instead it’s that
the storm is never done for me.
That’s why I love the blues, I think,
its center in the howl of the moment.

So I bend over this ancient body
once again, and hold its neck up
while try to imagine
how it is to walk through clouds
and be still at the same time;

how to find
the fallen oak and see it
as a throne, and not think
about what is crushed below it,
and not dwell on anything,
anything,
that has been taken from me.

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I Like Animals

Wily
snake, no:
just snake
being snake.

Wily
coyote, perhaps,
but still just coyote
being himself.

Wily
young cat
in the window
curling the string
from the blind in his paw
and watching the light change:
maybe he’s just playing, but still
he’s cat being cat.

You, on the other hand,
wily in the kitchen calling
for me to come see what’s
going on:

a little snaky in the hips,
a little tricky in the eyes,
a little playful with the hands,

a little animal beyond naming,
and you know how I like
animals.

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Leave The Body

As my body
refuses me
shelter, I leave it
and go into
the teeth outside, amazed
that there is no pain
when I am ground
between them.
I float into
the throat behind
and lose myself
in there, feel it
fold around me
as I go down, down…

Ideologies fall from
my skin. Pressure
around me soothes
and shapes me back
into something I can stand…

If I return to the body
at some point it will be
in a form that will compel it
to take me in and keep me
safe, and if I don’t, what
a miraculous place to be —
inside this belly, in this starry womb
I had forgotten…

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Frog

If the frog you struck
in the road tonight
had had anything to say
as you spun him into the brush,
it would surely not have been
an expression of surprise.
They live like that all the time —
in constant expectation
of being spun into the void
by a predator or car. 

And we
are the delusional higher beings
who find it strange that others
might accept with no surprise
the honesty of death
that usually comes suddenly
and often in the strangest of ways,
often at our hands but with no malice
at all as a simple consequence
of living as we do, moving along
blindly, carried by our large lives.

When you sit at home tonight,
think of that.  Listen
to the corking and uncorking
of our bottled confusion
whenever these things happen
and to the gigantic roar
of What Is Coming.  Think of how
the frog said nothing and accepted
his last flight, his broken body,
mouth torn so deeply
that any last croak would have been
pointless.  Then,

say what you want to say,
what you would want to say
when it is your turn.
Say what you need to now,
for it will be drowned in the roar
when it happens at last…
don’t let it die stifled behind
your slack jaw…

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Hemlock

You will say “selfish,” and you will say
“crazy,” and you will turn from my last bed
to those left behind and say
“angry.”

You will say “asshole,”
you will say “waste,” you will say
“crazy” and “angry” again, you will say
“loss,” you will say “missing,” you will say
“there are no words,” you will say
words that say “nothing” in many ways —

but the one thing
you had damn well better not say
because you cannot say it and mean it
with a poker face after knowing me
all those years is
“why.”  You will likely be a liar
if you say “I don’t understand…”
and if you truly believe you do not understand,
if you are sincere in thinking that,
you really should say nothing at all.

Just put your arm across my cold chest then
and pretend to be close to me,
even though what you will feel
won’t be me at all anymore.  Perhaps
as you realize what it feels like to embrace
that no longer aching heart
in that no longer failing body,
the words will come to you
and they will be the words
you never thought to say.

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The Last Lecture (Revised; was “The Last Talk”)

It was around seven at night
when I finally got out of my mother. 
I started talking at once. 
The family was astounded. 
“Keep it up,” they urged,
and I struggled to think of things to say. 

There was a time when I considered
myself
the best talker in a family of talkers. 
Whatever.  It was a means to an end. 
That end was that I talked
myself
out of everything. 

Myself.
I used that word a lot.
It was a ratchet handle,
could be switched
from install to extract
with one motion.
Slap any socket,
any word on it,
and I’d make it work.

Myself,

I don’t care for legumes.
Myself,
I’m indifferent to rockets.
Myself,
I’m a big fan of radicchio
dipped in sea salt.

One evening
I made a mistake
and stopped talking for a moment.
It didn’t bother me
but a lot of the family thought I was nuts
and I ended up in a bare room
with a cheese grater wall to lean on,
in a pleasant sense of dislocation
without my usual tools at hand.
There was sand under my tongue.
My breath smelled of comic books
and colorfield theory
and it was so nice,
for once, to not speak
unless I was spoken to.

I got out and found a living
that made the talking
not so much a tool but a brace. 
The ratchet handle
slipped in my hand as easily as ever,
and I could talk about
myself
endlessly,
even when I used borrowed sockets to make
myself
seem like a chokehold. 

The family soon fell asleep —
why listen to things
that didn’t concern a fact at all?
I found new families to bore. 
I found new nuts to turn
and kept using
myself
to gain leverage.

Over time, I lost the urgent sense
of sand and blood in my palm.

Over time there was
too much wolf,
not enough sea snake.
Too much noose,
not enough bowtie.
Too much pistol,
not enough summer squash.
Too much fuck,
not enough no touch at all.
Too much rain of monkeys,
not enough snow of shillings.

This was so easy.

The alley girls,
the backstage boys,
those who called
from the shadows for the opportunity
to hear my disturbances,
they all wanted to eat the same things
every night, and I let them.

It was so easy.
Who was I to say I was not what they thought?

I though I could talk my way back to
myself.
I tried, but now the power’s off
at seven at night
and I’m sitting in the heat
of a small room
built from smooth, sweating walls. 
There’s no money
to speak of. 
Every dollar is a laugh
giggling good bye
and the cat is barely moving without the AC. 

I’m barely moving.

The wrench called
myself
is splintering, the receiver for the socket
worn, the switch that changes direction
finally swinging free and no longer engaging.
I talk more and more, trying to gain purchase,
work the bolts on what I need to construct or destruct
in one slippery increment at a time. 

Right here, on the desktop of this old computer
is a document named
“Everything I’ve Learned.”

The lessons themselves are scattered
around a lot of places
that exist in public and only in public.
I didn’t have a private thing to put in there.
This is what I get for a career in talking

The family would get a chuckle out of this if they could see me,
but I keep
myself
a little far from them these days. 

They don’t want to see
or hear me like this, the wrench rattling useless and repetitive
on steel. I can respect that. 

I sit here at seven every night
and strip my threads trying to make
myself
so useless
it’ll be understood and even appreciated
when at last I choose silence,
and throw myself away.

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My Little Oysters

I call your eyes
‘my little oysters’
as if they were each

a world
I could own

I know better

I can own nothing
of you

but it helps me
to pretend

that your eyes
contain everything I need

and that I could
take them in

in one swift swallow

and that then
you would see
what is inside me

insane, insane

I tell myself

but still
I am
so hungry

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O Jelly Totem

Isn’t it nice
to pretend to have a spirit animal?
Aren’t you in love with your imagined
cougar, lion, wolf
or hawk? 

If you discovered
one day that your familiar
was a jellyfish,
would you be as jazzed?
Or would you start
to trail around spinelessly
with your stings
firing at random?

You’d have a whole colony
to relate to then, you realize —
they’re not so much animals
as collectives, you know;

imagine that —
no one identity to call on,
just a faith built upon
the mix and match of tens of thousands
of little pains in the ass.
Maybe even some serious poisoners,
maybe some killers.

How much would you love that?
Jellyfish need partners on our side too,
after all; they may not look as good
on a T-shirt,

but given the evidence,
it’s something you should consider
embracing.

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Afterthought

“Be the change
you want to see
in the world.”

A popular quote, that.

Perhaps
it would also be
worth your time
to examine
what you’ve contributed
to what needs to change

by digging into the piles
that trail behind you
for as far
as you’ve traveled
to be here now.

They stink,
are dirty, filthy even,
full of memories
you thought were good —
and so much else you barely recall
having done,
you don’t know what you might learn
until you hold them to your nose
and inhale —
that’s you there.
All of you.
What you left behind.  What
soiled the world. 

Be ready to clean up after yourself
because you are likely to sick up
something when you do this;
and then
when you’re empty
you can
move on.

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