Monthly Archives: August 2010

Old Hats

i know this is not a new message
another stupid poem
about old hats

but we keep killing so
here it is again

to remind us all of those casual killings
which keep us alive and happy

we live off the deaths of those
we do not stop to consider

perhaps it will get us closer to the truth
to admit that we were made for deathmongering
and that to lie awake too long overthinking our steps and missteps
is to ride unicorns
into the flames around the sword protecting paradise
from the likes of us

there have been many societies
in history
who believed that what they hunted
and what they gathered
the animals they slaughtered
and the plants they cut down
shared equal consciousness
that veganism is a clumsy rationalization
when all life has a face
whether we see it or not

but they did not stop eating
from guilt
they simply understood
that one being’s survival
costs another’s life

this is not to say that we should sleep on
unnecessary pain
suffering
and war
this is not to say that we should sleep on
factory farms
the business of existence as commodity
or exploitation of others
or anything that divorces us
from the bite of the cost of living

these old hats are full of blood
but we should wear them
not proudly but humbly
because they are ours

perhaps we should say that
meat is murder indeed
and so what if it is
when the corn cries we don’t hear it
but it cries nonetheless

perhaps if we agree that abortion does cause death
but also propose that choosing it is not evil
or perhaps say that war is atrocity
but we are all atrocious

perhaps if we count the blood metals
in our cellphones and computers
and think of the dead miners
and call them unfortunate victims
when we message our likeminded friends
to join us in an online discussion about them

we can at last admit who we are
see each other as beings locked into slaughter

and see each other at last
with some compassion
we have not allowed ourselves to feel
for fear of revealing
the vital hypocrisy
we need to survive

that we all claim to want fewer
or even none
but we each have caused many
and will not surrender the living we love
until we each cause many more

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Addressing Canvas

hey canvas,
I’m gonna make a sail
outta you. or a painting,
or a pair of pants.

canvas, you say
you’re material.  I say
I love you more than
the material.  spirit says

god made you bleachy-pale
for the writing upon, tough
stitchability, force a curved needle
to do that and it’ll punch my hand,

don’t care.  god’s impersonal enough
not to care about you if it’s better
for me to make you creation-ground.
I’ll get my blood on you, canvas,

and no backtalk, no ticktock
or ripsnap when the wind gets at
your back.  mine, canvas, you’re mine
and I’ll sail you wear you cover you

in vision and oils maybe all at once.
I can do anything, says god.  not yours,
mine.  thank the bastard of my head,
he’s on my side.  canvas old buddy,

you’re never gonna know what hit ya.

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The Word

This is how it happens: your voice finds its word
and it’s suddenly bigger than you are.
You’re carried to the top
of its eruption…

now you’re lava,
ash, sticking to cars and walls
of compounds in tropical plains
at the foot of the word,
it builds a cone
so steep, you’re going to slide off,
become a refugee fleeing it…

then you stop,
dig in, be honest and ruthless
with yourself: you were always
a nascent chimera, embryo dragon,
you roared but didn’t know
how to breathe fire or how to be
your combinations, here is your chance to learn
as you tumble across
smashed landscape of home,
your backpack full of notes, letters;

and you craft the next word
now, your voice so shattered settling
like Atlas moving a little to make the weight
bearable, now you are blackwhite crawler on moonscape,
first time visitor to naked rock: perhaps
traces of past natives, but who cares, you’re here…

and now it is fire and now it is a sea boiling up ahead,
and it’s time for the next word,
you’ll coin it
for the pinpoint bludgeoning of the rolling soil
cooling to blue now, red now and again and after,
roads melt, glass melts, salt melts,
the sugary drug of not caring where the word goes
and how the voice roughens around it;
for you know now you were never
just a throat, a lung,
you were always more
than a bearer of air in a vessel
you didn’t build.

You’re a damn good pure sight to see
for those who flee this, looking back at you
surfing your voice on that word,
riding atop the archaic spit
of the mantle below the crust
making new land
that once tilled will be rich.

Whenever it stops killing
and smoldering, wherever it stops,
that’s where you deepen into your own.

That when you
can claim it.  Call yourself writer,
story teller, poet.  Call yourself
volcano surfer.  Call out the name
you choose for it.  Pick the next word.
Call up the fire.

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The Nearness Of You

When I’ve finally put the sweet
and sour away, stashed
the pokes and pulls of the day
in smoke and someday memoir,

when I’m done with preparation
and forethought, I turn off everything
and turn to you.  You stand by
crisp with affection in the cool air

of summer’s end, saying simply
that I should be satisfied to be
caught only by your eye and hand.
I am, I say, and mean it for once;

I let this constant wreck and reckoning
go and, alive with the present, for once
allow yesterday and tomorrow to be themselves:
unreal memory and possibility —

separate, equal,
but of far less import
than the nearness,
and now, of you.

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Clown, Gutter, Church, Kitchen, Hearth

A clown lifts you from the gutter
that runs deep and dirty along the street
before the church that sneers at the two of you
staggering up the street.

“Telling you, son, the next world we build
is gonna be tight,” the clown mutters. You get a look
at how smeared and thin his facepaint is
and pray that he’s right,

because that church keeps trying to sell you
on its vision of a next world
that sounds suspiciously
devoid of kitchens and fireplaces,

and right now all you want
is for this good clown to set you safely down
at some warm house with a high blaze
and a big pot of stew; then, after a while,

for him to wipe off the makeup
and pull open a notebook, saying,
“Telling you son, we can do this.
I got it all worked out.”

Sitting there poring over the plans,
you’ll start to laugh when you realize
he’s right, there’s a new world possible,
and all you have to do, you’ve already done

by getting up out of the church gutter
in the arms of a man some think is hysterical,
some think is insane, and no one thinks
might have the answer.

“Gonna be tight,” he’s saying again.  “Poor people
gonna rise up, get their share, like the song says.”
Poor people gonna rise up.  Like you did.
Like you always knew you could with a little help.

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Gratuitous

there ought to be
a good reason
to say fuck

nothing wrong with saying it
but when it’s uttered with the relish
an eight year old reserves
for eating a worm or saying doody
it kinda loses its thumping thrill

and motherfucking,
motherfucker,
ought to mean something
more than very

use it in a way
that makes me glad I heard it
and I’ll defend you to the death
against those who call
all such vulgar elegance
gratuitous

in the right place a properly landed
motherfucking fuck
is the left hook
of the sweetest scientists

but it ain’t easy
and it ain’t just
common speech

it ought to hurt
thrill
rouse
emphatically charge
and tangle any feeble response
like a bola thrown by one bad-ass gaucho
around the listener’s legs

and that,

motherfucker,

wasn’t
didn’t
and never will

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War Dance

AR-15s frolicking their butts off.
The happy song of the bayonets.
Gates of paradise ground open by grenades.
Claymores bouncing,
bombers headspinning,
bunker busters diving
into the earth. Such joy,
and all because
we’ve allowed them to play,
pushed them into this abandon,

clucking like chaperons standing around
just to be defied,
recalling how we once did this
with our own cave-roughened hands.

“Kids these days,”
we chuckle,
forgetting for the moment
that we made them.

“In our day, we did it
up close and personal,
and we never wiped
blood from our hides
until we were sour
from the smell. 

They don’t know
what they’re missing.”

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Lego My Ego

It’s got a lot of pieces —

and it never looks like the picture on the box
when I’m done;

I build a lot of things
and sometimes am inordinately proud
of what I’ve created,

but more often,
I end up screeching my frustration
at the vague resemblance.

Lego my Ego!

is the battle cry
as I blame the Manufacturer
for my failure, or rather
for my creating what I could
from what I had;

it doesn’t look right.
And I swear someone gave me
those fucking Duplo blocks
instead of what I deserved
to work with.

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Fixed

We watched him
break
then saw him
fixed. 

“Fixed”
is a perfect word, lays claim
to past wounds that are now invisible
or only reminders if the scars show.

“Repaired” is also perfect, suggests
meeting of unnaturally separated parts,
so the sight of him once shattered
and now repaired is heartening.

We shuffle along
swept up in our own cracks,
puzzling through the memory
of not being in pieces,
if we can recall that at all…

so when he speaks
from his entirety,
not concealing past injury
but showing how he has healed,

we see it.  We feel it.
We are moved to action,
and perhaps
a little ashamed.

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Horoscope To Holocaust

Enslaved to a horoscope,
some won’t drive far when Mercury is retrograde.

Engaged by humor,
they let offense slide off their numb tongues.

Enthralled by heritage,
they won’t give credit to others.

Eviscerated by holy writ,
they scourge the unbelievers in their prayers.

Enlisted by history,
they reap the bodies of the designated scapegoats.

Every time it happens,
we call it instinct

or natural order or divine will or the stars aligning,
when in fact it comes down to

what we allow
to rule us without forethought,

and from horoscope to Holocaust
is not all that far to travel.

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Bridges Are Burning

Bridges are burning and
I’m a little glad to see it.

Crossing them
seemed sometimes
a blasphemy.

In broad daylight
or even at night
when I’ve been alone,

there have been moments
of silence and separation
when I’ve felt that those distances
from rail to wave
and across the stream
were just meant to be.

Still, despite
my fear of heights,
there will be times
when I will think
of those bridges
on fire
and long for the courage
to run out along
the cracking spans
and see how close I could come
to the other side

before I fell.

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House To House

Not one of the fifteen cops on this street
suggests I go inside
when they walk by me
with their shotguns and dogs.

I’m not the man they’re looking for
but they are in my backyard
with shotguns and dogs
looking for a man with a gun.

I’m incidental to the search.
They ask me if I’ve seen anyone
and how long I’ve been out here
in the rain under the hood of my car.

Have I seen anyone? They are in
my backyard with shotguns and dogs
and a news crew’s interviewing one of them
down at the corner while I watch.

They haven’t seen anyone either,
not catching any of us on tape
as they watch the cops look for
the man they’re looking for

under porches and in our backyards.
We’re incidental to the search
for a man who shot a woman through the neck
in her car one block from here.

We’re just cannon fodder.  We’re not the people
anyone is looking for or speaking to
except to ask if we’ve seen anyone,
anyone at all, in connection to the incident

that none of them will confirm or deny has happened
no matter how often we ask them to tell us
what happened.  What happened?  On the Web they say
a woman was shot, police are seeking the assailant,

her identity is not being released,
she’s in critical condition, the suspect’s description
just says he’s a black male of unknown age
with a gun in his waistband,

but no one in our backyards
will tell us that as they rush past us
talking only to themselves
with their shotguns and dogs and cameras and radios,

as I work on my car in the rain,
as if nothing that could possibly interest me
or anyone living here
has happened today.

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At The Bank

how guilty do I seem —

limping in long jeans
and ratty sneakers
to the bank and the liquor store
to pay overdue bills

pants soaked halfway up my shins
in light rain with no umbrella
or hat or coat
or smile

the teller takes a long time
cashing the check — she seems suspicious

“don’t you have a bank account
like everyone else?”

oh
my dear lady

let me wipe my glasses free of rain
let me stop panting
let me shake the cramp out of my foot
before I answer
that
though I am now
complexly broke and broken
I am innocent of the dumb you think you see on me
and whatever I may be guilty of
it is not what you think:

I belong here
am rooted here
no matter how rootless my finances
make me look to you
and while I have a bank account
I’m not explaining this to you
out of sheer pain
at your assumption

poverty I think should be no hyphen
in this town

just gimme my due
and you can click your tongue
in your own car
on your way home
through this delicious rain
you will not feel

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Writing Wet

From atop this rock
I can see seven others
in this stream. 
Some are slick
and moss-black
and breach the surface
almost not at all;
others hump fully up
gray and knobbed
into dry air.
Depending on how
willing I am
to leap across
or soak myself
stepping in,
there are so many ways
to get from here
to the far side
that I am perplexed
at least, frightened
at most, with thoughts
of what may happen
if I fail to choose
correctly.
Stupid,
says a branch rubbing
another branch by chance
above me;
stupid,
says
a broken acorn falling
then floating by;
stupid,

echoed by the click of stones
against stones in the stream bed
pushed into speech by the flood;
stupid.  Get across
by crossing.
So I spring from the rock I’m on
with eyes closed, knees bent,
waiting to see how I land
before deciding
how to proceed from there.

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Making Do

A remedy is offered in an alley.
Money moves
from sufferer to healer.
quickly.  What has been purchased
proves to be weaker than was desired,
but will do.  The sufferer mutters,
but settles for it.

A farmer settles on a smaller price
for a larger crop, smoldering
with thoughts of winter ahead.

Linchpins
are carved from hard wood
in places where there are no forges.

Where there is only soft copper
and little wood,
those who need linchpins
traditionally long for iron,
will scrounge and scheme
for something to trade for it,

and plan for war.

While we’re all making do,
civilization develops,
rises, and falls in upon itself.

Without each other to shore up
our resentments, to bear
our brunt,

we’re nothing.

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